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Word: gauguins (lookup in dictionary) (lookup stats)
Dates: during 1940-1940
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Usage:

...made Slade Professor of Art at Cambridge only in the last year of his life. But Roger Fry made more Britons look at pictures and like them than any other man of his time. The term Post-Impressionism, for the art of Cézanne, Van Gogh, Gauguin, et al., was his invention, and through jibes and jeers he introduced Cézanne to London...

Author: /time Magazine | Title: Art: Woolf on Fry | 11/11/1940 | See Source »

Hendrik Willem Van Loon is a big, cheerful, childlike Dutchman with a flair for historical baby talk. He illustrates his genial versions of the horrors of human history with squiggly, screwy pen-&-ink drawings; spices them with amiable prejudices (sample prejudices: against Bushmen, missionaries, Painter Paul Gauguin). In 1921 Author Van Loon hit his historical stride with The Story of Mankind. Last week he confined himself to The Story of the Pacific...

Author: /time Magazine | Title: Books: Silent Sea | 7/8/1940 | See Source »

Boston's Brahmins have firm opinions. On no subject are their opinions firmer than on Modern Art. In recent years Boston's Museum of Fine Arts has admitted a fine van Gogh, a good Cézanne, a very expensive Gauguin. But as late as 1926 F. W. Coburn, art critic of the Boston Herald, still denounced modernism in the tones of a Cotton Mather. To Pundit Coburn, Cézanne was a poor painter whose good dinners caused his friends to "whoop it up for him and get his pictures admitted to places where they wouldn...

Author: /time Magazine | Title: Art: Sane Boston | 6/3/1940 | See Source »

...Paul Gauguin once wrote, "All this must be; and after all, it's of no consequence. The earth still turns round; everyone defecates; only Zola bothers about it." Now the name of George Grosz might perhaps be substituted for that of Zola in the light of many of Grosz's paintings which are being shown in the current Dunster House exhibit of contemporary watercolors and lithographs...

Author: By Jack Wllner, | Title: Collections & Critiques | 2/19/1940 | See Source »

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