Word: gangsters
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Dates: during 1960-1969
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...great last year. Harvard was undefeated, they were playing Dowling's Invincible the next afternoon, and the Harvard Band was there at Dillon Field House to salute the squad when it came out for its final practice. George Lalich's father had come all the way from Chicago with gangster hats that read RUB OUT YALE, and was passing them...
...Weekend's antecedents in American gangster and romance pictures depended on their characters' moral sensitivity; reaching to the films' violent events, the characters made sense out of them by judging them. The complete breakdown of moral perception in Weekend's characters destroys the continuity and moral progress of the narrative. Godard leaves his characters and story, and so his audience, adrift in a world bursting into flames and rubbish for want of moral individuals to control them. Mickey One expresses the disintegration of individual personality. Penn's post-Wellesian conception of an isolated character becomes quite paranoid...
Truffaut's Shoot the Piano Player, for example, takes much of its style and action form the American gangster film. His Farenbeit 451 is adapted from a second-rate novel and takes after the sci-fi films of the fifties. The Bride Wore Black is a product of Truffaut's consuming interest in the films of Alfred Hitchcock, to whom the film is dedicated and the imitation detracts from the individuality of the film...
Unfortunately, the gangs' business methods do not stop with such relatively innocuous, if illegal, tactics. The giant Atlantic & Pacific grocery can testify to that. Taking control of a company that manufactured detergent, the powerful New York-New Jersey gangster brothers, Gerardo and the late Gene Catena, tried to put the product on A. & P. shelves. When...
There are two reasons to see Stiletto: Actors Joseph Wiseman and Patrick O'Neal. It is a rococo and frequently incoherent gangster yarn extracted like a rotten tooth from an old Harold Robbins novel. Stiletto seems to have been written only to take a share of the profits made by such stylish thrillers as Point Blank and Bullitt. And it quickly becomes obvious that Director Bernard Kowalski (who also made Krakatoa, East of Java) is not up to that sort of competition. Judged on sheer acting talent, however, Wiseman and O'Neal are equal to almost anything...