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...city, whether it be Munich, Berlin or New York, his favorite place. Though he dresses in dirty jeans and a leather jacket, and looks like a Hell's Angel, Fassbinder is rigidly disciplined. Since he finished his first film in 1969, he has turned out, on average, one full-length movie every three months. "I want to build a house with my films," he says. "Some of them are the cellar, some are the walls, and some are the windows. But I hope in the end there will be a house...
...comedy groups frolic about in the London streets outside of Her Majesty's Theatre for a few minutes, the movie cuts to the famous Monty Python dead parrot skit. This sequence reveals the fundamental problem with the movie at the very outset. The group's first full-length motion picture, And Now For Something Completely Different, included this skit, complete with props and the suitable atmosphere of a pet shop. Seeing this skit performed again on the bare stage of a London auditorium leaves you flat; watching a grown man repeatedly slam a stuffed parrot against a desk to prove...
...very artless artist can sometimes achieve freshness simply by not realizing that his material is stale. A very strong-minded one can, on a good day, banish cliches from an overused subject by sheer force of will. Ridley Scott, an English television director who had not done a full-length movie before The Duellists, clearly is strong-minded, and his film does not contain a stale moment...
...imitators. Many people stumble across a painting of Washington and dream of a Stuart bonanza. Says Monroe Fabian, an associate curator at the National Portrait Gallery: "The paintings come in here in brown paper bags and boxes. People cart them in from halfway across the country." A genuine full-length Stuart, he adds, would be worth "somewhere in the seven-figure range...
...stamp of realism that is quite appropriate to the special demands of cinema. With considerable assistance from the shining performances of Richard Burton--his finest in recent memory--and the promising Peter Firth, Lumet has successfully carried out the delicate operation of transforming Shaffer's impressionistic play into a full-length strip of celluloid...