Word: full-length
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...other characters described in Roueche's full-length portraits in this collection of 13 pieces that originally appeared in The New Yorker move with a similar ease through the routines of their lives. A Congregational minister visits the aged and tries, without notable success, to counsel the young. Residents of a West Virginia hill town adjust to living in an environment better suited to mountain goats. "How many places do you know," one of the townspeople asks Roueché, "where you can stand at the basement door and spit on the roof of a three-story house?" Visiting...
...Touches like the ladies' fans, which they snap open and shut in precise timing with their lines, and the gestures of the fops and dandies underscore the contrived nature of the life Wycherly satirizes. In the first scene, everyone who walks on stage stops to preen in a full-length mirror, immediately setting the tone for what follows. Very little is chancy or slipshod when it comes to blocking or movement...
...style is a continuum of endlessly varied movement. It requires high, sustained power and top speed. Kirstein, the best historian of his own company, has written about Agon: "Clock time has no reference to visual duration; there is more concentrated movement in Agon than in most 19th century full-length ballets." A similar claim could be made for many Balanchine works, and some created by his less active co-choreographer, Jerome Robbins. So, if nothing else, Misha will need stamina, and having performed Balanchine's Theme and Variations, he knows it: "The first time I danced it I thought...
...company followed four years later. With an annual budget now approaching $1 million, the ballet has 28 dancers under contract and will stage 27 performances this season; attendance regularly runs to 70% to 80% of the city's 1,500-seat Hanna Theater. The company attempts few full-length classical works and emphasizes American choreographers...
...part is interwoven into Baryshnikov's life. He danced the wedding pas de deux at his graduation recital at the Kirov Ballet school in Leningrad. Basil was his first full-length role, one he danced often. Playing it, he says, taught him a great deal: "Technical control, mime, how to use a cape, how to give a flower to a girl, how to be funny, touching, a lover . . . a lot." He is giving those gifts now to the A.B.T. dancers and, one suspects, a profligate present to the company at the box office as well...