Word: frantz
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Dates: during 1970-1979
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...sort of Muslim fundamentalism evident in Iran or Muammar Gaddafi's Libya may confirm a remark by Frantz Fanon, the philosopher of Third World uprisings: the native response to imperial domination is to fall back on what is authentic, what is resistant to modernization. The mosque becomes a symbolic safe haven...
...GIOVANNI Directed by Joseph Losey Screenplay by Patricia and Joseph Losey and Frantz Salieri...
...anticolonialism: a convulsive rejection of foreign influence that had, so a wide variety of Iranians thought, robbed their culture of its Islamic values and its natural wealth. In a psychological way, the revolutionaries were obeying the logic of many anticolonial fighters who, in the formulation of the revolutionary theorist Frantz Fanon, held that the "native" must be transformed into a free man through struggle against his foreign oppressors. In countries like Algeria and Kenya, the struggle was protracted and violent. In Iran, after a point, the army foreshortened the process by choosing not to resist the revolution...
...literature of Realism, and in the work of Richard Wright we see aspects of Naturalism and, later on, attempts at existentialist ideas. In Toni Morrison we find a complex attempt at socio-psychological realism, which attempts to examine in somewhat clinical terms the nature of psychic dispossession, of which Frantz Fanon spoke so eloquently...
Baryshnikov's debut, as Frantz in Coppelia, was at a matinee. The crowd was full of mothers and kids who had bought seats long before the announcement of Baryshnikov's appearance. Frantz is an ebullient young man; his entrance is a headlong dash to the front of the stage. Baryshnikov made it his signature: an outpouring of physical power and grace, as well as a challenge to the audience to soar with him. His first afternoon had a couple of rough spots: in the first act he strolled onstage ahead of cue and was stuck watching dances...