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Martin Sheen may play the President on The West Wing, but back when the White House drama was just a glimmer in the eyes of NBC's programming execs, ROB LOWE, a.k.a. deputy communications director Sam Seaborn, was expected to be the biggest draw as the resident fox in chief. Now--crisis in the situation room, Sir!--Lowe is making like Jim Jeffords and ditching the party. "As much as it hurts to admit it, it has been increasingly clear for quite a while that there was no longer a place for Sam Seaborn on The West Wing," he said...

Author: /time Magazine | Title: People: Aug. 5, 2002 | 8/5/2002 | See Source »

...affectionate acronym) marked the most tonic collaboration-collision of an indie filmmaker and a major studio. 20th Century Fox, which owned the rights to a sequel of the Jacqueline Susann book and hit film "Valley of the Dolls," hired Meyer for the job; and Meyer hired Ebert to write the script. It was just at the time - call it the "Easy Rider" era - when studio bosses briefly convinced themselves they knew nothing about the huge new youth audience and were ready to hand the keys over to dopers, arty types and the occasional tittenfilmer...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...marriage of Fox's desperation and Meyer's methodical madness should have showed evidence of vitiating compromise. Instead, "BVD" blared its elan and vulgarity in color by DeLuxe. The story - of the Carrie Nations, a girl rock group (a nice novelty idea) on the rise in the L.A. music world - made "BVD" the first major movie drenched in sex, drugs and rock 'n roll. It parodies Susann, Hollywood big-shots, sex-star hangers-on (Edy as Ashley St. Ives) and record producer Phil Spector (a weird man ultimately outed as a homicidal woman). At the end, the movie slices...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...Fox released it, with an X rating, a month after another, more prominent X-er, "Myra Breckinridge," had ignominiously tanked. "BVD" earned a healthy return on investment and a sheaf of favorable notices - though not every critic loved the film. The Chicago Tribune's reviewer sniped at the movie and its tyro scripter: "Boredom aplenty is provided by a screenplay which, for some reason, has been turned over to a screenwriting neophyte." (This was young Gene Siskel, twitting his rival, later partner-rival, Ebert. Here's thumb in your...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...Meyer could never have felt snug in the lavish, high-overhead, take-six-meetings-and-never-make-a-movie atmosphere of the big studios. After one more Fox film ("The Seven Minutes"), he escaped back to indie filmmaking with a meager, loyal crew and the freedom to do whatever he wanted. And what he wanted was sex. It was the '70s; sex was free for the taking; Meyer's marriage to Williams was now in the past tense. And his new obsession, Francesca "Kitten" Natividad, was just too tempting. So the old pro eventually broke his old rule...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

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