Word: foxes
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Niebuhr's strategy of reaching beyond the confines of Detroit's German community helped swell Bethel's membership sixfold in the years after the war. There was another lure: the pastor's preaching. He was, writes Fox, "the educated Protestant's Billy Sunday," who would "strut, gyrate, jerk, bend and quake." Bethel's growing prestige strengthened Niebuhr's hand when he took on Henry Ford, castigating the legendary automaker and other industrialists. He ended up a thoroughgoing Christian Socialist, evoking the biblical prophets and a bit of Marx as he thundered against the exploitation of labor...
Niebuhr, who considered himself a "teacher of social ethics" rather than a theologian, became more interested in spiritual themes as his thought matured. His major statement of theology appeared in The Nature and Destiny of Man (two volumes, 1941 and 1943). Fox shows how profoundly Reinhold's evolution was influenced by the counsel of his younger brother H. Richard, a brilliant Yale theology professor who was painfully aware that he always stood in Reinhold's shadow...
...Fox's book is the subject of a forthcoming issue of Christianity and Crisis, a biweekly journal of opinion founded by Niebuhr in February 1941.[*] In one article, William Lee Miller of the University of Virginia notes that few students today seem inspired by Niebuhr's thought, and questions "what his lasting place in the history of American thought, of theology, of political philosophy, will be." But Fox's depiction of Niebuhr in his prime makes him stand tall in comparison with today's political pulpiteers. A reading of the biography, followed by a good dose of Niebuhrian realism, might...
That the Lyric Opera should take part in Rondine's restoration comes as no surprise. Founded in 1954, the company has always been a prime exponent of Italian opera in the U.S., a kind of La Scala West. Under Carol Fox, its late founder and general manager, Maria Callas made her American debut in a sizzling Norma, and the Lyric became home to such 1950s and '60s legends as Soprano Renata Tebaldi, Tenor Giuseppe di Stefano and Baritone Tito Gobbi. By 1980, though, economic troubles had put the company $300,000 in the red, and Fox was forced to resign...
Today, under Ardis Krainik, 56, a former mezzo who was once Fox's secretary, the company is again robust. The deficits are gone, the budget has risen from $9.1 million four seasons ago to $14.8 million this year, and the number of productions will increase from eight to nine next year. Ticket sales have run at 92% of the opera house's 3,520-seat capacity. Quality is high too: this season, Bellini's bel canto I Capuleti e i Montecchi with Soprano Cecilia Gasdia and Mezzo Tatiana Troyanos was an unexpected smash hit, and the Lyric's tradition...