Word: follower
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Dates: during 1960-1960
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Both planes had entered the New York area under clearance from Air Route Traffic Control center at Idlewild. In the heavy weather, both had been ordered to follow strict holding patterns while awaiting clearance to land: the TWA Connie at 6,000 ft. over Linden, N.J., south of Newark Airport; the DC-8 at 5,000 ft. in a stacking area over Preston check point, more than five miles south of Linden. As traffic moved, ARTC controllers directed the TWA plane to drop to 5,000 ft. and then, proceeding under control of La Guardia, to swing northeastward into...
...helped build some to prove the point. Today 85% of all truck beds and semitrailers are aluminum, v. the 85% once made of steel. To show railroad skeptics, Harvey recently had built an all-aluminum 85-ft. railroad car, now has constant requests for its use, hopes orders will follow...
...Forbes' reading of the Magnificat was brisk and business-like, but not much else. The singing was often angular and disjointed; and the orchestra had enough trouble merely trying to follow the beat. Neither of the two seemed at all at ease with the other, and both together produced a rawness of tone that is often the product of an insufficient number of joint rehearsals...
David Michaels plays both the storyteller and Azdak in the Brechtian tradition, a very difficult one for an actor to follow. It requires that he not only play his character with full emotional understanding of the role, but that he communicate to the audience the fact that he is an actor, making his own judgement of what the character does. Azdak is Brecht's ideal man, sympathetic to the aspirations of the masses, never condemning their immorality or brutality, and always ready to assume whatever mask his situation requires. In danger of being executed by the henchmen of the governor...
...Paine Hall Tuesday evening at the conclusion of Egbert Fischer's piano recital expected any encores, and for good reason: absolutely nothing can follow a program consisting of the monumental last three Beethoven Sonatas. Indeed, few pianists have the courage--one might say the audacity--to offer such a program, for these are extremely difficult works, not only for their many technical intricacies, but for the many problems of musical interpretation they offer. Mr. Fischer, a Cleveland pianist and a Harvard alumnus, put himself to this ultimate test--and the result was a recital that was curiously uneven, both technically...