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...portrait of the Bard. Three years ago, Alec Cobbe, who had inherited much of the collection in the 1980s and placed it in trust, found himself at an exhibition at the National Portrait Gallery in London called "Searching for Shakespeare." There he saw a painting from the Folger Shakespeare Library in Washington, D.C., that had been accepted until the late 1930s as a portrait of Shakespeare from life. Looking at it, Cobbe felt certain the Folger painting was a copy of the one in his family's collection. He asked Wells, an old friend, for his help in authenticating...

Author: /time Magazine | Title: Is This What Shakespeare Looked Like? | 3/9/2009 | See Source »

...battery of scientific tests - tree-ring-dating to determine the age of the wood panel, X-ray examination at the Hamilton-Kerr Institute at Cambridge University and infrared reflectography. The tests produced convincing evidence that the panel dated from around 1610 and was the source for the Folger painting, among others. Wells is now sure of it. "I don't think anyone who sees [the Cobbe painting] would doubt this is the original," he says. "It's a much livelier painting, a much more alert face, a more intelligent and sympathetic face." (See pictures of Shakespeare's plays being performed...

Author: /time Magazine | Title: Is This What Shakespeare Looked Like? | 3/9/2009 | See Source »

...also matters that the Cobbe painting seems to have been copied more than once. (Wells believes the famous Droeshout engraving was made from one of these copies and not the Cobbe original.) In addition to the Folger, there appear to be three other versions, all from the 17th century. "It suggests that this is someone who was famous enough that there was a demand for copies," says Wells. "We have a fascinating reference in a play from 1603 in which there is the character of a young man who was obviously a fan of Shakespeare. He quotes bits of Romeo...

Author: /time Magazine | Title: Is This What Shakespeare Looked Like? | 3/9/2009 | See Source »

Taylor, who previously co-edited The Oxford Shakespeare: The Complete Works, is part of a growing cohort of critics who regard Middleton as Shakespeare's equal in wordplay and storytelling. "His is a darkly comic and unsparing view of human nature," says Gail Kern Paster, director of the Folger Shakespeare Library in Washington. "He has a witty and inventive spirit, and several of his plays are as great as any plays that Shakespeare wrote," she adds, citing The Changeling, Women, Beware Women and The Revenger's Tragedy as examples. The idea now is to push him as a grittier, edgier...

Author: /time Magazine | Title: Thomas Middleton: For Adults Only | 11/7/2007 | See Source »

...need historical grounding somewhere,” Kishlansky said. “No one should claim to be an educated person without having studied an era besides the one they lived in.” The panel featured three other academics: Jones Professor of American Studies Lizabeth Cohen, Folger Fund Professor of History Andrew D. Gordon ’74, and Loeb Associate Professor of the Social Studies Mary D. Lewis. The four agreed that though the current Core Curriculum needs to change and that students should be able to select from a larger pool of history courses. Often...

Author: By Van Le, CONTRIBUTING WRITER | Title: Panel Debates Curricular Overhaul | 11/14/2006 | See Source »

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