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...Avid fart: a flashy and intrusive visual-effects editing style (in film...

Author: /time Magazine | Title: Twitter and Gourmet Sex: They're in the Dictionary Now | 9/3/2009 | See Source »

...Judge, who created Beavis and Butt-head and whose 1999 film Office Space is a cult favorite in the workplace-comedy genre, frames Suzie tying the drawstring of her sweatpants in dramatic close-up, with the kind of musical fanfare that might accompany a gun coming out of a holster in a western. It's a door slamming shut on Joel's manhood, and he's as helpless at opening it as he is at closing one on the tedious Nathan. He is hog-tied by his own amiability. (See the all TIME 100 movies...

Author: /time Magazine | Title: Mike Judge's Extract: Full of Flavor | 9/3/2009 | See Source »

...take was 63% higher than that of Halloween 2. The teen slasher film cadged $17.4 million and will finish the frame in third place, behind the Nazi-scalping-and strangling Inglourious Basterds. Quentin Tarantino's World War II epic dropped a less-than-expected 47% from last weekend to pull in about $20 million. In 10 days, the polylingual action drama has amassed $73.8 million in the North American market and another $60 million abroad - which, in any language, means boffo. The South African sci-fi thriller District 9 was next with a $10.7 million weekend and a $90.8 million...

Author: /time Magazine | Title: Box-Office Weekend: Destination Horror | 8/31/2009 | See Source »

...million, while the Eric Bana-Rachel McAdams love story is nearing $50 million. In its opening weekend, Taking Woodstock - Ang Lee's tale of peace, love and outrageous Jewish stereotypes - took in a wan $3.7 million. That wouldn't be too big a disappointment for a low-budget film, but Woodstock cost a mediumish $30 million - the same as District...

Author: /time Magazine | Title: Box-Office Weekend: Destination Horror | 8/31/2009 | See Source »

...sponge-squeezing killjoy as simply ... an editor? She names decisiveness as her greatest strength, and the movie shows her making good decisions, rapidly and repeatedly. The first picture Wintour vetoes from Coddington's treasured shoot is distractingly fussy and rococo. Grace mopes, but the magazine benefits. At the film's climax, Cutler plays up the drama of Coddington's refusal to allow an appealing but not-quite-model-standard image to be digitally nipped and tucked at Wintour's request. It's lively storytelling, except that Wintour's suggestion seems more like playful banter - an attempt to be charming...

Author: /time Magazine | Title: The September Issue: Humanizing the Devil | 8/28/2009 | See Source »

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