Word: film
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Dates: during 1990-1990
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...Class Marshal seemed like the sort of worthless thing that people would only do to boost their ego or to pad their resume. But yesterday, as I talked to the woman from the alumni office, I suddenly realized that I do need something impressive enough to bump "Leverett House Film Society" from my resume, and, since there is no Spanish Club at Harvard, being Class Marshal might not be that bad an idea...
...American filmmaker ever committed to celluloid. His early career traced a paradigmatic arc of hotshot movie eminence, from a $20,000 underground classic (Eraserhead in 1977) to a $5 million Oscar nominee (The Elephant Man in 1980) to a $50 million sci-fi dud (Dune in 1984). Each film had segments of bafflement and spectral beauty. But Hollywood, looking at the escalating price tags and plummeting ticket sales, wrote the director off. So Lynch made Blue Velvet (1986), a magnificent revenge drama -- his revenge on fettered movie conventions -- about small-town life and lust, drugs and death. Twin Peaks...
Suddenly, like a high-cult Larry Hagman, Lynch was everywhere. The director whose pre-1990 oeuvre comprised just four features -- eight hours of public film -- will have more than matched that total this year. Two two-hour and three one-hour episodes of Twin Peaks. The rambunctious road movie Wild at Heart, winner of the Palme d'Or at the Cannes Film Festival and now in theatrical release. Four TV commercials for Obsession perfume. A 50-minute video, Industrial Symphony No. 1, featuring a dwarf, prom teens, a floating topless lady, a skinned deer and ethereal warbler Julee Cruise singing...
...side trip to hell. Pretty much like Blue Velvet. Yes, it's different, but the same kind of different; Lynch could no longer shock by being shocking. Many critics figured they had solved the mystery of his visual style and thematic preoccupations. Next mystery, please. By August, when the film opened in the U.S., the Lynch mob was more like a lynch...
Angarita's speech was preceded by a short film about the social conflicts existing in Colombia today. The film, also in Spanish, covered the acute social and political problems in Colombia, including land ownership struggles, high unemployment rates, drug trafficking and terrorist activities...