Word: film
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Dates: during 1960-1969
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...Graduate alerts film makers to the news that more than 60% of their audience is 30 or under...
...background to last week's celebrations was a retrospective of Coward's career that was unprecedented even for as oft-revived a writer as he is. A parade of his plays and revues flickered past on BBC-TV. The National Film Theater began to spin out a series of his films. Occasions like 70th birthdays tend to bring out hyperbole, and uncritical reassessments blossomed in the press. Some critics went so far as to rank him with Sheridan and Wilde, or to call him England's greatest living playwright. Such judgments overlooked the extent to which Coward...
...film adaptation of Hello, Dolly! matches Herman's contribution. Michael Crawford playing the young clerk, Cornelius Hackl, self-consciously recalls Stan Laurel. As Horace Vandergelder, the richest and meanest man in Yonkers, N.Y., Walter Matthau is doing Walter Matthau as he used to be in B pictures, moving through the production like a man with a strong distaste for all around him. As for the lead, Barbra Streisand oscillates between postures: now Mae West, now Lena Horne, now brassily elegant, now flying her Yiddishkeit...
Like Ben, Abram S. Ginnes' manic screenplay brims with hellishly good intentions that never quite come off. Jewison has thus been forced to pare his film drastically. Plot and continuity skip along in a flurry of quick cuts and undeveloped skits. Perhaps it is just as well. Hecht was invariably sodden with sentimentality except when he wrote with a collaborator-as in The Front Page. In editing Gaily, Gaily, Jewison has played a latter-day Charles MacArthur to Hecht's Hecht...
Matthau maintains the posture of a question mark and the consummate frustration of a period that longs to be an exclamation point. Goldie is a natural reactress; her timing is so canny that even her tears run amusingly. In recent years Broadway comedies have not survived translation into film. Although unpretentious, Cactus Flower succeeds on screen, thanks to two old masters-and a shiny new one-who have learned that actors get known by the comedy they keep...