Word: film
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Dates: during 1930-1939
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...many more workers. If the cinemoguls refused, said Willie Bioff, he would not only strike Hollywood studios but through his close connections with unionized projectionists would close 15,000 movie houses throughout the U. S. Although War II had cut off $44,000,000 of annual revenues from foreign film sales and economy was in order, the producers capitulated to this threat, and Willie Bioff announced a victory. In fact, however, his victory was not as sweeping as he made it appear. He had won an understanding that wages will go up temporarily, will stay up beyond next...
...Onetime Senior Lord of Appeal Lord Dunedin celebrated his goth birthday with cocktails in his Sloane Street home. Guests viewed the film His Lordship took in the Black Forest (Germany) last summer...
With World War II it was surer than shellfire that somebody would brush the dust off this old scarehead. A small new company brought the title up to date as Hitler, the Beast of Berlin, tacked it to a film about the horrors of concentration camps. The picture might have been spurlos versenkt itself had not worried Director Irwin Esmond-of N. Y. State's Education Department (Motion Picture Division) called it "inhuman, sacrilegious and tending to incite to crime." New York censors promptly banned it, almost as quickly reversed their ban after the title was changed to Beasts...
Those who saw the picture found it far less thrilling as propaganda than interesting as a clue to the mental aberration known as censor's mind. The film is a dullish cinematizing of Shephard Traube's weakish story, Goose Step, portraying the sufferings in a concentration camp of a group of anti-Nazis of no particular politics. Most of them are finally released. Their leader (Roland Drew) escapes with no more trouble than it takes to run across a field to a hay cart, finds it just as easy to rejoin his wife (Steffi Duna) in Switzerland...
...mystery fan throw up his hands in abject despair. It concerns a psychic convict fresh from taking the tap for a rich, buccaueering and, of all things, the rich man's murder. There's a nifty bit of Rube Goldbergiana concerning the firing of a pistol, but otherwise the film ends with very little clarification of anything save the fact that Nick Charles leads a very merry married life. However, the conversation sparkles at frequent intervals and Myrna Loy wears a negligee now and then for a man's money this is enough...