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...Cast as a director remarkably like Italian Director Federico Fellini (who in fact directed the film), Marcello Mastroianni cannot seem to get started on a new movie project. The Fellini-Mastroianni stream of consciousness lays bare the director's inner confusions and frustra tions, includes dreams, snatches of vaudeville, a little sex and a lot of religion. The total effect is surprisingly coherent and entertaining...

Author: /time Magazine | Title: Television: Jul. 5, 1963 | 7/5/1963 | See Source »

...opus-number title of Federico Fellini's new film-is self-psychoanalysis in search of an answer. Fellini, who made La Dolce Vita, has a singular personal problem: why is he so preoccupied with making movies that speak of the emptiness of life? He gets his answer, but unless Fellini's problem has been preying on the mind of the viewer, he may not care to take on the director's doubts and confusions...

Author: /time Magazine | Title: Cinema: Director on the Couch | 6/28/1963 | See Source »

...Federico Fellini's La Dolce Vita opened with a statue of Christ soaring through the skies above Rome. That was three years ago, followed by a long quiet period during which the masses have patiently waited for the master's next full-length film. Just released in Italy, Fellini's new "8½" begins with . . . what have we here? Soaring in the skies above Rome is not Christ but Marcello Mastroianni, all 154 pounds of him up there flying on a string like a great dihedral kite...

Author: /time Magazine | Title: Movies: La Dolce far Niente | 3/1/1963 | See Source »

...pocket (curiously, two hands are never in one pocket, nor is one hand ever in two pockets). He may or may not be following the woman-it is almost impossible to tell because he, like she, seems in no hurry. The director (Michelangelo Antonioni? Alain Resnais? Federico Fellini? Francois Truffaut?) is definitely in no hurry. The movie (La Notte? L'Av-ventura? La Dolce Vita? Hiroshima, Mon Amour?) is 50 minutes long already, and still the woman is walking, the man is walking, and the only real involvement anywhere is occurring among people, who are not walking but sitting...

Author: /time Magazine | Title: Movies: Pedestrian Art | 11/2/1962 | See Source »

...moral tone of his personality is so positive, in fact, that clever men like Federico Fellini can turn it around on film and find the negative outline of a total and final corruption...

Author: /time Magazine | Title: Movies Abroad: Everymantis | 10/5/1962 | See Source »

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