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...Double Life. But he was troubled. "Musically speaking," he recalls, "I was leading a double life. At home, I was a different man. I loved the classics, but I knew I could wow any audience with De Falla's Fire Dance. I was too little involved in the job I had to do, which was to develop my talent." Then in 1926 he met Aniela ("Nela"), the handsome, honey-blonde daughter of Polish Conductor Emil Mlynarski. She was 17, he was 39. When he finally got around to proposing to her beneath the Chopin monument in Warsaw, Nela was doubtful...

Author: /time Magazine | Title: Pianists: The Undeniable Romantic | 2/25/1966 | See Source »

...Diaghilev, a top hat perched on his balding pate, a pince-nez trailing across his crooked countenance. There is a portrait of the ballerina Koklova, previously seen only by Picasso's intimate friends. Some of the most delightful works are sets and costumes designed for Manuel de Falla's The Three-Cornered Hat, a merry Spanish folk tale replete with flamenco dancers. For the Toulouse Festival, the Paris Opéra reproduced the 1919 costumes, including a coquettish gown that the original first ballerina, Karsavina, deemed "a supreme masterpiece in pink silk and black lace," and a Spanish...

Author: /time Magazine | Title: Painting: Picasso's Theater Period | 8/13/1965 | See Source »

...Elliott Carter, both contrasting the tangy harpsichord with bland woodwinds. Rorem strings together short, romantic "songs without words," while Carter builds a severe, towering structure out of tiny musical blocks. Highlight of the recording is the plangent Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello by Manuel de Falla...

Author: /time Magazine | Title: Television: Jul. 2, 1965 | 7/2/1965 | See Source »

...YORK PHILHARMONIC YOUNG PEOPLE'S CONCERT (CBS, 7:30-8:30 p.m.). Leonard Bernstein takes a nostalgic look at the nationalistic music of the 19th and 20th centuries with works by Smetana, Falla and Charles Ives...

Author: /time Magazine | Title: Television: Nov. 27, 1964 | 11/27/1964 | See Source »

Teresa Berganza, the young Spanish mezzo-soprano, carried on this tradition in particularly disheartening fashion last Thursday night, filling the entire second half of her recital with a remarkably undistinguished lot of songs by Granados, de Falla, Montsalvatge, and the Brazilian Villa-Lobos. There were cradle-songs and tormented Flamenco--like songs, and two or three varities of that hardy perennial of the concert platform, the "delightful" song about a timid or a talkative lover, which ends with an exasperated little yelp from the singer (and polite titters from the old ladies in the audience). On a balmy night...

Author: By Kenneth A. Bleeth, | Title: Teresa Berganza | 11/17/1962 | See Source »

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