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...Franco days, said he, such composers as Falla, Turina and Oscar Espla "kept their windows open to the outer world," and wrote fine, arresting stuff. Now: "Our composers are living with their backs turned to current musical trends . . . Our standing is just about nil . . . There is only one alternative: renovation or death...

Author: /time Magazine | Title: Music: Comradely Criticism | 3/15/1954 | See Source »

Other noteworthy new releases: Beethoven's Symphony No. 7 (Paul Paray and the Detroit Symphony; Mercury); Falla's one-act opera, Master Peter's Puppet Show (F. Charles Adler conducting the Vienna Philharmonia; SPA); Great Arias from Bach's Cantatas (Hildegarde Rossl-Majdan and Hugues Cuenod; Bach Guild...

Author: /time Magazine | Title: Music: New Records, Nov. 23, 1953 | 11/23/1953 | See Source »

Much of the music was standard festival fare-Brahms, Beethoven and Schumann -and there was only one complete evening of Spanish music, appropriately devoted to Granada's adopted composer, Manuel de Falla, and one of Spanish dance. But for visitors from other lands the festival had a real surprise: the performance of Madrid's 13-year-old National Orchestra and its conductor, Ataulfo Argenta. The son of a Santander stationmaster, Argenta, 39, made a living as a coffeehouse pianist for a while, then studied in Germany before taking over the Madrid radio orchestra in 1946. There...

Author: /time Magazine | Title: Music: Floodlights on the Alhambra | 7/13/1953 | See Source »

...Orleans' Municipal Auditorium, as the audience sat listening to Guest Conductor Leopold Stokowski lead the Philharmonic Symphony Orchestra through Manuel de Falla's El Amor Brujo, the unmistakable Dixieland beat of a jazz orchestra scorched through from an adjoining ballroom. Stokowski stabbed the air with his baton, stopped his orchestra and said: "New Orleans is the only city in the world where you can buy one ticket and get two concerts." Then he retired to the wings until the competing orchestra, playing for a pre-Mardi Gras carnival ball, had stopped. Said the jazz-band leader later...

Author: /time Magazine | Title: People, Feb. 16, 1953 | 2/16/1953 | See Source »

...ended her program with works by de Falla and Ravel. Although less at home in these exotic pieces than in the earlier Russian selections, she still sang them with provocative feeling. I especially enjoyed her seemingly effortless rendition of Ravel's evanescent La Flute Enchantee...

Author: By Lawrence R. Casler, | Title: Longy's Spring Festival | 4/11/1952 | See Source »

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