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...grandtier box wired for sound two of the reporters filmed the action and music on the stage, the swank audience. Others followed Gatti-Casazza backstage, saw what he saw through his private peephole to the stage, heard what he heard in his office as Aida progressed, caught his unposed facial expressions as he listened to Martinelli's high notes, to the thunderous applause. Finally, the camera watched him clap on his hat, shrug into his overcoat, trudge wearily down the corridor, away from the last Met opening he will ever direct...

Author: /time Magazine | Title: Press: The March of Time | 2/4/1935 | See Source »

Also to be seen : a clock with a million possible settings for the alarm; an automatic chewing gum vendor in which a miniature bronco kicks out the gum; an iron mask to supplant hot towels in facial massages ; a gadget for looping up trouser-legs to resemble knickerbockers; a powder-puff for removing neck wrinkles and double chins; a mechanical backscratcher...

Author: /time Magazine | Title: Science: Gadgeteers Gather | 1/21/1935 | See Source »

...Cairo had been mounted on a flat piece of ivory by their original owner, a string looping their spool-like bases would have made them do an about-face or a full pirouette in unison. Carved with great delicacy, the four figures had an animation of posture and facial expression which moved Dr. Lansing to pronounce them unique in Egyptian art. Furthermore he thought they were probably the earliest known representations of Central African pygmies...

Author: /time Magazine | Title: Science: Diggers | 12/17/1934 | See Source »

Charles Laughton was still giving a fine performance when we dropped in to see him a second time Saturday. His portrayal of the domineering father whose failure in marriage has convinced him of its futility for his children, comes through his facial expression to a large extent. No one can watch those lips utter "Do you hear me" without being impressed by their sensual cruelty. They contain the story of sexual repression which has asserted itself in a possessive love of his daughter, Elizabeth, which amounts almost to sadism...

Author: By A. A. B. jr., | Title: CRIMSON PLAYGOER | 10/13/1934 | See Source »

Charles Laughton was still giving a fine performance when we dropped in to see him a second time Saturday. His portrayal of the domineering father whose failure in marriage has convinced him of its futility for his children, comes through his facial expression to a large extent. No one can watch those lips utter "Do you hear me" without being impressed by their sensual cruelty. They contain the story of sexual repression which has asserted itself in a possessive love of his daughter, Elizabeth, which amounts almost to sadism...

Author: By A. A. B. jr., | Title: THE CRIMSON PLAYGOER | 10/1/1934 | See Source »

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