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Word: expertizing (lookup in dictionary) (lookup stats)
Dates: during 1940-1940
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Usage:

...Logan introduced an eighth version of his old bill to set up uniform standards of procedure for quasi-judicial Federal agencies. He had long felt that bureaucracy's big ears needed pinning back. Franklin Roosevelt, acting on similar motives, set up a committee in February 1939. under Law Expert Dean Acheson, to study the same problem. The Brookings Institution pondered; bar associations brooded...

Author: /time Magazine | Title: THE CONGRESS: VENI, VIDI, VETO | 12/30/1940 | See Source »

...More than 400 reporters, from matter-of-fact A. P. to Paul-Prying fan magazines, now scavenge Hollywood for tidbits to feed millions of readers. To keep them happy, Hollywood studios maintain vast publicity departments filled with smooth-writing ex-reporters, quick-smiling "contact men," expert photographers, menial flunkeys...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 23, 1940 | 12/23/1940 | See Source »

Married. Lillias Pomeroy Dulles, 25, daughter of John Foster Dulles, international finance expert and senior partner in Manhattan's potent law firm of Sullivan & Cromwell; and Robert Hinshaw, 25, Princeton-schooled advertising man; in Manhattan...

Author: /time Magazine | Title: Milestones, Dec. 16, 1940 | 12/16/1940 | See Source »

...dozen legitimate producers in place of the 38 operating during the bonanza days. Leading the list is Grovas-Oro Films, bossed by Jesus Grovas, a veteran with 25 years' experience in the Paramount and M. G. M. distributing offices in Mexico City. Modest, unassuming Grovas is an expert on foreign distribution. His production specialist is a young lawyer, Juan Bustillo Oro, noted for his knack of sensing the current appetite of Latin-American cinemaudiences. Grovas-Oro's En Tiempos de Don Porfirio (In the Times of Diaz) broke all box-office records for Mexican films in its first...

Author: /time Magazine | Title: Cinema: Mexican Movies | 12/16/1940 | See Source »

...Hollywood quickie expert would envy the average Mexican budget of $25,000 to $30,000 for a feature. Favorites such as the three Soler brothers (Fernando, Domingo and Julian), Joaquín Pardave, "Caninflas" (Mario Moreno) consider themselves well-paid at $2,000 a picture. When a producer is ready to shoot he can hire a complete crew from the CTM union on a contract calling for 50% of the minimum union salaries to be paid during production, the remainder after distribution. In addition, the crew gets 33% of the net profits. The films almost bank themselves...

Author: /time Magazine | Title: Cinema: Mexican Movies | 12/16/1940 | See Source »

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