Word: everydayness
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...romantic-- misty weather scenes and soft focus portraits-- with an emphasis on mood, Evans tried to focus on a clarity and cleansing of the photographic medium, engaging in a kind of anti-art campaign. He labeled Stieglitz's art as "veritably screaming aestheticism." His photographs are straightforward views of everyday people in ordinary settings and the objects of their contemporary living...
...important part of this charming film; the romance between Lise and Antoine takes over, leaving the viewer happy in the knowledge that there is love in middle age. Noiret, a bearish, bemused-looking type, brings a wonderful sense of middle-aged bewilderment with the trappings of everyday life that complements his intelligence and humor. His winning portrayal of an academic bachelor suddenly rekindling his interest in the outside world charms the audience and negates the possible adverse appeal of his tubby, if otherwise endearing, figure...
Technically, Dear Inspector displays a sure competence, but not much else. While nothing is marred, the camera work is generally unspectacular, and the selection of shots shows proficiency but a similar lack of excitement. De Broca's direction, however, more than makes up for the everyday technical side of his film. He knows how to get the most out of a comic situation, and fortunately for this film, he can interplay a mediocre mystery with his major plot, as he did so well with Jean-Paul Belmondo in That Man From...
...more circumspectly you delay writing down an idea, the more maturely developed it will be on surrendering itself. Speech conquers thought, but writing commands it ... Never stop writing because you have run out of ideas. Literary honor requires that one break off only at an appointed moment . . . Avoid everyday mediocrity. Semirelaxation, to a background of insipid sounds, is degrading." Benjamin ends his list with "The work is the death mask of its conception...
...century there was virtually no contact at all between Japan and Europe. Yet by one of the odd coincidences of history, art began to move in a similar direction in both places at the same moment: there was a slow shift from high religious subjects toward the themes of everyday life. As Caravaggio painted his gamblers, gypsies and tavern scenes, so dozens of Japanese artists began to set down the details of street festivals and bathhouses on the largest "official" scale known to Japanese art -the byōbu, or folding screens, closely detailed and richly ornamented with gold leaf...