Word: erich
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Dates: during 1950-1959
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...Conductor Erich Leinsdorf, a Mozart specialist, led the orchestra correctly, but without paprika. Apart from Mezzo Regina Resnik, fine as an old fortuneteller, the only really convincing member of the cast was Walter Slezak, making his Met debut as the pig farmer, Szupán. The son of famed Tenor Leo Slezak, 57-year-old Actor Slezak had wanted to stand on the stage of the Met for as long as he could remember, was delighted when he got his father's old dressing room...
...letter of encouragement. Gradually, Gene began to vary his diet, and at the end of a week, was familiar with Chinese, Armenian, French, and Greek food. He read The Autobiography of Alice B. Tolkas, U.S.A., all of Marlowe's plays, Jane Eyre, To the Lighthouse, and a book by Erich Fromm. He was vastly impressed by Gertrude Stein's fear, at the age of fifteen, that soon she would have no more books to read...
...happened, hurried backstage and climbed into Carelli's discarded Don Curzio costume. After that, the performance went off without a hitch, despite the fact that Carelli had never sung Basilio at the Met (he had recorded it in Vienna). The audience failed to notice the switch, but Conductor Erich Leinsdorf was shaken. "You should have seen his face," said Tenor Carelli afterward. "He nearly fell off his chair...
...musical performance itself, as everybody agreed, was first-rate. Guided by Conductor Erich Leinsdorf, Principals Lisa Delia Casa, Cesare Siepi, Mildred Miller and Regina Resnik sang with the security and style that comes from long experience. Of the two singers making their debut, Finnish Bass-Baritone Kim Borg (as the Count) was adequate, but Swedish Soprano Elisabeth Soederstroem (as Susanna) was a silvery voiced delight. The sets by Designer Oliver (Rashomon, House of Flowers) Messel were superbly elegant: a boudoir whose rose-colored silk panels and drapes glowed with a kind of faded splendor, a formal garden suffused with...
...satire about the notorious Alexander Woollcott emerged as a highly entertaining production. Mikel Lambert '59, as Maggie, gave the most consistently fine performance--poised, polished, and sensitive. Other good work came from Earle Edgerton '56 (in the title role), Richard Dozier '60, Marguerite Tarrant '59, John Wolfson '60, and Erich Segal...