Word: englishing
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What is the difference between what makes a good movie in the U.S. and what makes a good movie in the U.K.? -Dan Rothman FOUNTAIN VALLEY, CALIF.It's that English eccentricity, that dry humor, that Hugh Grant is a genius at. What makes a good American movie is a certain kind of relaxed ease, a deep comfort in being American. In America, you're confident in your grandeur, your largesse and your ability to relax and flow...
...OntarioIt's very, very mixed. There's Bulgarian music, there's songs from Pakistan. I switch from track to track depending on what my particular mood needs. It's very broad. There's music from the Middle East, from the Ottoman Empire, from India and there's some very English stuff as well. There's some of the stuff my sons send me that I put on there. I've got a good musical ear, so I can listen to most things...
...Hindmarch isn't the only high-priced designer--her wares typically cost thousands of dollars apiece--trying to improve the world one purse at a time. Joining her in the attempt to persuade fashionistas to carry their groceries home in a reusable bag is Stella McCartney, the English designer--and daughter of Sir Paul--whose organic cotton shopper retails for $495. Hermes' collapsible silk bag costs nearly double that, while Louis Vuitton's canvas tote retails for a staggering $1,720. Of course, people who can handle those kinds of price tags are probably outsourcing their grocery shopping. But Hindmarch...
...from France, Italy and Japan. Bergman, though, was a one-man film movement; his instant eminence created a cottage industry of Bergmania. Janus Films, with U.S. rights to most of his pictures, ran Ingmar Bergman festivals in theaters around the country. Full-length studies of his work appeared in English, French, Swedish. In 1960 Simon & Schuster published a book of four of his screenplays (Smiles of a Summer Night, The Seventh Seal, Wild Strawberries, The Magician). For a generation of budding cinephiles, that settled it. Film was literature. Movies were art. And Bergman was the Shakespeare of the cinema...
...screen company. He exported his actors (notably von Sydow) and actresses (Ullmann, Bibi and Harriet, Ingrid Thulin, Olin) to be glamorous staples of European art cinema and the occasional American film. But though Bergman was frequently financed by U.S. companies, he never went Hollywood; his only English-language movie, The Touch (with Elliott Gould and Bibi Andersson), was filmed in Europe...