Search Details

Word: either...or (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...this is an earnest of Soderbergh's doggedly naturalistic, antidramatic approach here, which is admirable but enervating. The conflicts are almost entirely between Che and his men, between the platoon and their forest environment. Spending up to a year in the jungles of either Cuba or Bolivia, the soldiers seem trapped in some tropical Blair Witch Project, stripped of the scary bits. And forgive me for asking, but with all these young men separated from their girlfriends for such a long time, why (with one rapacious exception) do they never express any interest in women? The movie lets you infer...

Author: /time Magazine | Title: Guerrilla in the Mist: Soderbergh's Che | 12/13/2008 | See Source »

...viewer synapse the completion of,” Dorsky says.“Alaya,” the oldest of the three, is distinct from the program’s bookends, focusing on the strangely captivating, almost hypnotic qualities of sand. The subject of every shot is either a macroscopic—an entire desert vibrating in the wind—or a microscopic—singular grains tumbling one over the other—perspective of sand. The grains themselves complement and enrich the grain-like quality of film, and the bluish filtering that Dorsky builds through...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: LINEAR PERSPECTIVE: Nathaniel Dorsky | 12/12/2008 | See Source »

...addiction and subsequent firing of drummer Nick “Topper” Headon and the next they will be discussing the release of one of their singles. Trying to put together a cohesive history of The Clash is rendered difficult. All the photos don’t help, either. “The Clash” is a scrapbook. The editors compiled photos, collages, set-lists, newspaper clippings, and posters that give the reader a better sense of the world that The Clash arose from. The visual element of “The Clash” gives the band?...

Author: By Mark A. Fusunyan, CRIMSON STAFF WRITER | Title: Narratives 'Clash' in New Bio | 12/12/2008 | See Source »

...exactly revealing anything that might reflect poorly on their current or former employers. "One of the things I have always believed is, presidential campaigns are unique. They are like MRIs for the soul. You can't hide who you are," said Axelrod at the outset, a line that was either an honest observation or a subtle swipe at McCain...

Author: /time Magazine | Title: A Campaign Postmortem at Harvard | 12/12/2008 | See Source »

...This was a television campaign. Everything that happened was exaggerated. Everything was focused on," observed Davis, in what was either a mild lament for the accelerating news cycle or buried criticism at his campaign's ability to keep internal discussions secret...

Author: /time Magazine | Title: A Campaign Postmortem at Harvard | 12/12/2008 | See Source »

Previous | 368 | 369 | 370 | 371 | 372 | 373 | 374 | 375 | 376 | 377 | 378 | 379 | 380 | 381 | 382 | 383 | 384 | 385 | 386 | 387 | 388 | Next