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Word: dvorak (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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After an interminable intermission came Dvorak's Quintet for Piano and Strings in A Major, opus 81. Czechoslovakia may be under someone's thumb but Czech music is very much alive. This gorgeous piece was very well played. The cellist distinguished himself with a beautiful, full, resonant opening and the ensemble played with much more rhythmic unity and dynamic cohesion. Walter Trampler was superb throughout the Dvorak. There was an evident feeling for the ebb and flow of the beautiful melodies, lines which sing and soar over the often complex texture of this magnificent quintet. The new quality in their...

Author: By Daniel Robinson, MONDAY, JULY 28 AT SANDERS | Title: Schneider at Sanders | 8/1/1969 | See Source »

Things have changed up the river. Lenny Bruce was fond of casting the typical oldtime prison flick with little-known B players: "Charles Bickford, Barton MacLane, George E. Stone, Frankie Darro, Warren Hymer, Nat Pendleton, and the Woman Across the Bay, Ann Dvorak." But now, judging from Riot, the big house has gone mod, and there is no need for such durable old stereotypes. Riot concocts a fresh new batch...

Author: /time Magazine | Title: New Movies: In Stir | 1/31/1969 | See Source »

Certain composers such as Mozart, Beethoven, Brahms, and Dvorak possess an unerring inner discrimination for the wind timbres and persuasion, while many other composers simply pay obligatory homage to the noisemakers with passages of stark, inhumane cacophony for the brass, or limpid, precious colorings for the woodwind. With such works as Soldat, Octet, Dumbarton Oaks, and Symphonies of Wind Instruments, Stravinsky is definitely a member of the former group. L'Histoire du Soldat (1918), a suite of elegant miniatures for seven players, was given a generally excellent reading under the direction of student conductor David Archibald. Mr. Archibald, although somewhat...

Author: By Chris Rochester, | Title: Wind Ensemble | 12/19/1968 | See Source »

HEIFETZ-PIATIGORSKY CONCERTS: DVORAK'S PIANO QUINTETTE IN A, and FRANÇAIX: STRING TRIO (RCA Victor). Piatigorsky's full-throated cello conducts a civilized but passionate conversation with the violins of Heifetz, Israel Baker and Joseph de Pasquale and Jacob Lateiner's piano. In fact, all five musicians have a meticulous sympathy for Dvorak's buoyant chamber work, which is permeated by Czech folk music, or dumka ("little thought"), the unpretentious but satisfying Slavic themes that delighted Dvorak. The Françaix String Trio, on the other side, has little to offer but excellent musicians...

Author: /time Magazine | Title: Television: Feb. 16, 1968 | 2/16/1968 | See Source »

...Orthodox Jewish ceremony as "Moishe Cohen." The officiating rabbi became suspicious because Mehta did not speak Hebrew. "I'm a Persian Jew," Mehta explained to him, "and we don't speak Hebrew." After the other guests had chanted Hasidic songs for the couple, Mehta sang themes from Dvorak's Cello Concerto and Beethoven's Hamrnerklavier sonata with Hebrew inflections. Later he told the rabbi they were old Persian Jewish hymns...

Author: /time Magazine | Title: Conductors: Gypsy Boy | 1/19/1968 | See Source »

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