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Paint & Precedent. The other suit involved Du Pont and American Potash & Chemical Corp.. both of which have undertaken to produce titanium dioxide for paint pigments in new California plants. Recently, after helping design the Du Pont plant, Chemical Engineer Donald E. Hirsch, 38, a Du Pont employee for twelve years, was hired away by American Potash, whose plant is not yet completed. Du Pont pleaded that it had spent $15 million developing the process, and argued that Hirsch could not work for a competitor without giving away Du Pont secrets. American Potash insisted it had already acquired the knowledge...
...both the Du Pont and Goodrich suits, the judges issued temporary restraining orders, then settled back to probe precedent before making final decisions. Many decisions seem to favor the complaining companies. In one 1944 case a New York court allowed a Fairchild aircraft vice president to go to work elsewhere but enjoined him for five years from any activity remotely linked to a then-secret Fairchild process for cooling aircraft engines. The problem of trade secrets has lately become more acute: much of today's corporate research is done under Government contract and hence cannot be patented. Often...
...still the despair of his security staff. His personal bodyguard consists of only two "gorillas," whose shoulders seem to slope down from their ears. But dark blue police vans are positioned on side streets around the Elysée Palace, and apartments above the chic shops along the Rue du Faubourg St. Honore facing the palace are periodically searched. When De Gaulle is at Colombey, up to 100 gendarmes are sometimes disguised as farm hands and posted around the village. At the rambling estate in Colombey, De Gaulle gets a measure of the family life and relaxation he misses...
...French, of course, adored all this, and certainly there is something to be said for such a powerfully perfumed little fleur du mat. It is lovely to look at-Cameraman Henri Decaë laves his park and his pond and his wandering darlings in a Proustian pallor of times lost. It is formidably well-played-Kruger finely suggests both Cupid and psycho, and Gozzi is a born actress with big brown eyes and a pretty little finger to wrap fathers around. And it is composed with surprising finesse-Director Serge Bourguignon, who at 31 had never before made a full...
...scheduled part of the concert to a close with the expected volley of applause. Then, as if just to show us she could do it. Mme. Crespin sang as an encore a Poulenc trifle which was all wit and elegance. Now if she only had followed that with "Ozean, du Ungeheuer...