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...arrangement with the Institute of Technology, whereby for several years the same problems in design have been worked out in both schools, and a combined jury from the two staffs and from practicing members of the profession, judges the drawings and determines the grades. The evening class for draughtsmen in the Boston Architectural Club also joins in these combined problems. Professor Ferran, recently appointed to the Institute staff, is also a graduate of the Ecole des Beaux-Arts and a winner of the Prix de Rome. He is also a close personal friend of Professor Haffner. The arrangement of joint...

Author: NO WRITER ATTRIBUTED | Title: ARCHITECTURAL SCHOOL WILL SEE CHANGES IN COURSES AND PERSONNEL | 2/11/2003 | See Source »

Line fascinated the German artists within the Late Gothic tradition. Their love for its abstract and intricate nature is clearly brought out in the Boston Museum's extraordinary exhibition of Durer and his Time. But above all, this show brings out Durer's supreme position among German draughtsmen of the fifteenth century. He was the man who tried to bridge the gap between Late Gothic linear expression and the compositional stability of the Renaissance...

Author: By Jonathan D. Fineberg, | Title: Albretcht Durer in Boston | 4/14/1966 | See Source »

GUGGENHEIM-Fifth Ave. at 89th. An exceptional exhibition of American drawings selected by Curator Lawrence Alloway includes work by such senior draughtsmen as Gorky and Tobey, along with some by relative newcomers, including Larry Poons and Sven Lukin. A handsome historical precis of Albert Gleizes' offers the U.S. its first chance to review the work of one of the earliest cubists. The drawings run through Oct. 25, the Gleizes' show through...

Author: /time Magazine | Title: Art: UPTOWN: Oct. 23, 1964 | 10/23/1964 | See Source »

Among other French draughtsmen whose work is included in the exhibit are Jean Antoine Watteau, Gabriel de Saint-Aubin, Jean-Auguste-Dominique Ingres, Edgar Degas, and Pierre Auguste Renoir...

Author: NO WRITER ATTRIBUTED | Title: Fogg Continues Show Of French Drawings | 7/21/1960 | See Source »

...large portion of the drawings represented are products of the extremely auspicious prelude to these two careers, which began during the late twenties. At the ages of fifteen and thirteen respectively, Bloom and Levine were joined by a common mentor and began to develop prodigiously as draughtsmen. They both took to the old masters, learnt much, and turned out a series of remarkably proficient drawings. Their works during this genesis are strikingly similar; it is obvious that their spiritual mentors were the best...

Author: By Paul W. Schwartz, | Title: Bloom and Levine | 3/17/1959 | See Source »

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