Word: dragged
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Dates: during 1960-1969
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...Drag. The change in atmosphere has been remarkably swift. White House aides concede that the protest movement was rapidly gaining momentum at the time of its nationwide Moratorium Day activities of Oct. 15. The President's Nov. 3 speech urging the "silent majority" to speak out gave thrust to the counterprotesters. Yet his defiant attitude toward antiwar demonstrators also energized the massive peace marches in Washington and San Francisco...
...only be short-term. They see no point in trying to stage other mass rallies, and are worried about possible violence, dwindling funds and the probability that frigid weather will bring disappointing turnouts. "The first time around, a march is a gig-the second time, it's a drag," observes one analyst of the movement. This month's emphasis on low-key community efforts has yielded little publicity, although planned Christmas Eve prayer vigils around the country this week might do better. The Moratorium Committee has also decided to abandon plans to increase its activities...
...then crawls for the pennies people throw her way. A Harlow-eyed blonde (Susannah York) is in the contest not for the $1,500 prize, but for a chance to be seen by a movie talent scout who might elevate her to bearable unreality. When the marathon begins to drag, Rocky dresses the participants in track suits and has them race around the floor-an event that literally causes the ancient mariner's heart to break...
UNFORTUNATELY, this explanation of the "female principle" does not appear until late in the Journal. Before it appears, the magazine seems to be a messy collage of radical cliches. Articles like "The Oppression of the Male Today" and "Contemporary Capitalism; Drag Queen Intellect" are bitter, weary laments against the system. Only later does one see that the problem is not the system so much as the absence of the female principle. There is the usual set of articles, too, that talk about how degrading the female role is, or about how women are not intellectually inferior ("The Slave's Stake...
EVER SINCE I made the mistake of going to see a Hasty Pudding Show, 12 Holyoke Street has been haunted for me-infested by a ghostly chorus line of clubbiesin-drag. The pool tables, leather armchairs, and antique posters survive. but that chorus line has been exorcised forever by Lindsay Crouse and the Cambridge Dance Company. Miss Crouse's production, Winter, General Clearance of Evils at the Beginning of is as ambitious as its title, and, almost incvitably, sometimes falls short of its goals. But when it succeeds it does more than create moments of beauty and excitement; it fuses...