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...SILENT for a time, looking out the window at a pigeon that was perched on the ledge. Then he looked at his right thumb, the callus which had been formed by more than fifty years of clarinet playing. "See that callus?" he said after a moment. "Slow Drag got calluses like that on all his fingers from playin' the bass...

Author: By Thomas A. Sancton, | Title: 'I Had to Make Music Like That, Too' | 5/21/1969 | See Source »

...Slow Drag Pavageau had been the regular bassist with the George Lewis band and with Bunk Johnson before that. He had worked with George for almost 30 years, and had toured all over Europe with him. He had been the grand dad of the group, and now--at 80--he was hospitalized with stomach cancer. Drag was a delightful little man, a creole who spoke little English that was intelligible, and a lot of creole French that no one understood but him. He had grown up--like many New Orleans jazzmen--in a French speaking family, and seemed to personify...

Author: By Thomas A. Sancton, | Title: 'I Had to Make Music Like That, Too' | 5/21/1969 | See Source »

...Anybody been over to see Drag lately?" George asked...

Author: By Thomas A. Sancton, | Title: 'I Had to Make Music Like That, Too' | 5/21/1969 | See Source »

Actually the parallels between my roaches and the Viet Cong can hardly be ignored. There are seventeen parallels. Both my roaches and the V.C. are indigenous forces, are ignorant, ill-clad and underfed; they both drag away the bodies of their slain, come back no matter how many are killed, move by night, avoid prolonged engagements with the enemy, are not white, are fighting against people who are, have been fighting for generations, are of uncertain numbers, move via infiltration routes, are wily, are outarmed by the enemy, are contemptuous of death, are independent of outside control, are inscrutable...

Author: By Richard R. Edmonds, | Title: The Strawberry Statement | 5/20/1969 | See Source »

Taking the Temperature. It is a popular achievement. The modern counterpart of the pool shark is a kid in a hopped-up car, cruising the hamburger joints along New Jersey's U.S. 1 or the Strip in Beverly Hills, looking for a competitor with whom he can drag race for money. For most buyers, however, the appeal is only psychological: few ever utilize the full potential of their machines. The kick they want is a sense of power and a feeling of youthfulness...

Author: /time Magazine | Title: Autos: The Muscle-Car Market | 5/16/1969 | See Source »

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