Word: donizetti
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Dates: during 1970-1979
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Stage presence is one thing, acting another. Pavarotti is often an indifferent actor, though in a broad role like the bumpkin in Donizetti's The Daughter of the Regiment he can be an effective comedian. His chief asset, especially in romantic roles, is his height, which offsets his distinctly un-dashing waistline. "I never look at how wide they are, but how tall," says Soprano Beverly Sills. "It is a relief to be able to put your head on a tenor's shoulder." What carries Pavarotti through is his patent sincerity and gut-level identification with his characters...
...would end her singing career in 1980, she promised that she would stay on at City Opera?as co-director with Julius Rudel, 57, her mentor and director of the company for 21 years. Last week "Good Queen Bev," as Rudel has called her since her smashing performances in Donizetti's royal trilogy (Roberto Devereux, Maria Stuarda, Anna Bolena), took on the biggest and riskiest role of her career. Next July she will become the company's sole director: Rudel has decided to devote all his energies to conducting...
There's more pomp than circumstance in Donizetti's La Favorita. There is no onstage action in the opera, and the plot moves with godlike indolence. In the last century it was popular because of its pretty, skillfully written melodies and because 19th century audiences rather liked a long evening in the theater...
...clothes on," says Sills), and its range is brutal: from below middle C to high D. The show is a loan of the same production Sills scored a success in last season at the San Francisco Opera. Next December she will appear in her last new Met production, Donizetti's Don Pasquale. Two composers are writing operas for her, which are due to be introduced in the spring of 1979. They are Gian Carlo Menotti's Juana la Loca, about the mad daughter of Ferdinand and Isabella, for the San Diego Opera, and Dominick Argento's Miss...
...Lyric remains a world-class op era house, and its average cast will rival the Met norm. Its secret: a short twelve-week season that welds its cast for brief, intense, festival-like engagements. This season began with Luciano Pavarotti in Donizetti's L'Elisir d'Amore. Coming up are Jon Vickers in Britten's Peter Grimes and Frederica von Stade in The Barber of Seville. This November the Lyric will mount its first Die Meister singer. For opening night next year, Fox has even hired Broadway Director Harold Prince (A Little Night Music) to concoct...