Word: doll
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Dates: during 2000-2000
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...favorite performance of his own, Gibson says, "It's a funny thing. You look at something you did years ago, and it's like, 'Oh, boy! What was I thinking?'" His feet rest on the coffee table in his office, next to a tiny version of himself, a Braveheart doll wearing a kilt and waving a sword. "I think time makes one more aware of the light and shade in human behavior," he says. "Most people get better with time. The sad part is, you get old and ugly as you get better." Then he laughs, knowing that even with...
...women photographers are two of my favorites, David Hilliard and Francesca Woodman. Also represented is Linn Underhill, who uses herself as her own model. She dresses up to look like a debonair of the late '40s, reversing the concept of drag queen to drag king. A portrait of a doll leg by David Levinthal, who takes large-format Polaroids of collectable fetish dolls, is included. A similar interest in surrogate female forms is found in Chris Komater's piece "Turner" (a reference to the film star Lana Turner), an assemblage of 24 photos of a blond wig. But one piece...
KIDS LOVE: The exhibit "We Are! Arizona's First People," which focuses on the 21 federally recognized Indian communities in Arizona. Activities in-clude making a fabric- scrap doll and creating a section of a cape necklace as well as fashioning a paper canoe...
...favorite performance of his own, Gibson says, "It's a funny thing. You look at something you did years ago, and it's like, 'Oh, boy! What was I thinking?'" His feet rest on the coffee table in his office, next to a tiny version of himself, a "Braveheart" doll wearing a kilt and waving a sword. "I think time makes one more aware of the light and shade in human behavior," he says. "Most people get better with time. The sad part is, you get old and ugly as you get better." Then he laughs, knowing that even with...
...most surprising thing about "The Doll Squad" is that this flashy little number is by far the least of Ted Mikels' efforts of the period. The plotline is doted on at length (always a mistake in low-budget espionage dramas with shapely female leads), and when the all-out action sequences finally do arrive, the visuals are incredibly dark. This is most likely due to the fact that much of the film's closing action was shot in one night, on which Ted had the temporary loan of a real machine gun (thus, the actresses are actually blasting away with...