Word: deshong
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Dates: during 1960-1960
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Visually, this production was most pleasant. Andrew DeShong's two sets seemed useful for a director, providing adequate entrances and varied playing areas. To the eye they were charming. The ruins of a chapel for the second act came, with no detail changed, from the imagination of some great Romantic poet. DeShong's first act sun surpassed the moon that followed it, but both looked implausibly delightful, stuck up against Loeb's giant sweeping cyclorama. Stephen L. Tucker lit the show competently, although there appeared to be a few miscues in the execution of his plot...