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...sing fretful-mother tunes (What Will Baby Be) or hymns religious (High and Mighty) and secular (Jackie DeShannon's Put a Little Love in Your Heart) with the same innocent intensity. In the lovely title number (written by Mac Davis), the singer watches a 15-year-old girl in love with music, in love with love, and remembers her own long-ago youth. The whole album provides Parton with a dandy career retrospective. She comes full circle to reconsider a lifetime of womanly misbehavin' in the purity of her girlish voice. We're < all grown-ups, she says, and still...

Author: /time Magazine | Title: Daisy Mae West | 4/12/1993 | See Source »

...within the ricochet rhythms of Burt Bacharach's songs, built a brand-new bridge connecting gospel urgency to show-tune sophistication. Barbra Streisand moonlighted from Broadway and never went back. The jazz inflections of Nina Simone and Sarah Vaughan enriched the vocabulary of pop. The megaton voices of Jackie DeShannon, Dusty Springfield and Timi Yuro lent powerful shadings to love songs. And the girl groups -- all the -elles and -ettes, the Supremes and Shangri-Las -- kept teen pulses surging to an irresistible beat. It made for a varied, vigorous music, in the golden age of chanteuse...

Author: /time Magazine | Title: Show Business: The Prom Queen of Soul | 7/13/1987 | See Source »

This curious and seductive song, co-written and recorded by Jackie DeShannon in 1975, has turned into a surprise hit for Kim Carnes, who has been looking for a smash almost as long as Now Voyager has been playing on the late show. Carnes, 34, who served time in the late 1960s dishing up freezer-packed folk music with the New Christy Minstrels, has a voice that is throaty without being funky, insinuating but safe, sort of like Lizabeth Scott chugging Vicks cough syrup. Garbo and Harlow are mentioned with Davis in the song, an evocation of a killer-diller...

Author: /time Magazine | Title: Music: Return of the Celluloid Temptress | 7/27/1981 | See Source »

...cappella opens "Warm Love." You'd expect a children's song, each syllable enunciated in falsetto with proper childish awe. The band only enters between lines, to keep the time, with nuanced emphasis from the bass drum and guitar; two flutes linger through each line as backing vocals. Jackie DeShannon appears for the first chorus, and the song becomes a duet. More idealism, but a far cry from the bliss of "Starting a New Life"--because there's a distance involved, a musing quality absent from Morrison's music for years. Flutes are prominent all the way through the song...

Author: By Freddy Boyd, | Title: You May Just Have to Break Out... | 8/7/1973 | See Source »

...Association. With Jackie DeShannon, in concert. BOSTON COMMON. July...

Author: NO WRITER ATTRIBUTED | Title: music | 7/3/1972 | See Source »

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