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...that the E.U. is a completely new idea: something never seen before. So Europe isn't "self-doubting," Europe is improving itself. For instance the bailout of Greece shows Europe's ability to react to a never seen situation: there are now discussions over a European monetary fund. Etienne Delaunay, REUTLINGEN, GERMANY...

Author: /time Magazine | Title: Of Doom and the Moon | 4/12/2010 | See Source »

...will similarly produce a pro forma election of Jean by people who view him as the second coming of his father - and the right's potential star in years to come. "This is the appropriation of a country by one family and clan," said Socialist legislator Michèle Delaunay. "The Sarkozy clan is taking the entire region into its grip, on the money vault that the richest department in our country represents," accused Socialist lawmaker Manuel Valls. (Read "France May Put Warning Labels on Airbrushed Photos...

Author: /time Magazine | Title: Sarkozy Backs Appointment of Son to Key Job | 10/16/2009 | See Source »

...overlapping, spiraling objects mark Rozanova's shift towards futurism. Rozanova's suprematist paintings lack any semblance to the naturalistic scenes of her earlier works. Her textile designs and simple shapes recall Malevich's abstract geometrical configurations and her planes of overlapping color bring to mind the paintings of Sonia Delaunay...

Author: By Anya Wyman, CONTRIBUTING WRITER | Title: Rediscovering Rozanova | 5/12/2000 | See Source »

...20th century art. The "No" shelf includes Kafka, T.S. Eliot, George Grosz and the pantheon of Pop art, which emphasize chaos and mass hysteria in the modern age and the mob of mankind. This is the "No" that is countered by the affirmative "Yes" of Matisse, Lachaise, Brancusi and Delaunay, Joyce, Nabokov and Chagall, along with "Yes" shelfmates W. B. Yeats, Wallace Stevens, William Carlos Williams, Marianne Moore, Richard Wilbur, Hemingway, Faulkner, Eudora Welty, Mondrian, Brancusi and Alexander Calder...

Author: By J.c. Herz, | Title: Celebrating the Joy of Modern Arts | 10/15/1992 | See Source »

...precision. In Paris Through the Window, 1913, we enter a rainbow world, all prismatic light and jingling crystalline triangles. It is full of emblems of stringent modernity: the Eiffel Tower, a parachutist, a train upside-down but still insouciantly chuffing. It owes a lot to his friend Robert Delaunay, who made abstractions of Paris windows. But the picture is plucked back from the analytic by its delicious strain of fantasy: a cat with a man's head serenading on the sill, a Janus head (Chagall himself, looking forward to modernism and back to the village?) displaying a heart...

Author: /time Magazine | Title: Art: Fiddler on the Roof of Modernism: Marc Chagall: 1887-1985 | 4/8/1988 | See Source »

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