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Some of rap is about acting, role playing. That's probably one reason why so many rappers are going into movies. Cube made an impressive debut as a sympathetic, beer-drinking thug in the 1991 Boyz N the Hood, and in Trespass, coming out this week, he is a gun-toting gangster. Although he may play a criminal in movies and in his music, it's a front. Not that he doesn't have an ugly, heavy-metal misogynistic side that he really ought to jettison. But he does show indications of an underlying humanism. On his first solo album...

Author: /time Magazine | Title: Look Back In Anger | 12/28/1992 | See Source »

...MIGHT hear wafting pure and plaintive from the holding tank in a county jail. With the face of an orphaned angel, STACY DEAN CAMPBELL offers no fuss, no frills, just righteous white-boy blues ("Would you run away from me/ If I came crawlin' back to you"). His debut album, Lonesome Wins Again, is 10 sticks of slow-fused Nashville dynamite from his own pen and those of top country songsmiths Don Schlitz and Jamie O'Hara. The best tunes, including Baby Don't You Know and I Won't, take you two-stepping back to 1957 -- rockabilly prime time...

Author: /time Magazine | Title: Short Takes: Dec. 28, 1992 | 12/28/1992 | See Source »

...down her great Columbia sides in the 1930s and early '40s, and by the time she got to Verve, the price she was paying for her excesses was becoming more damaging. You can hear the bills coming due. In a "Jazz at the Philharmonic" session from 1945, Holiday's debut at Carnegie Hall, she follows a sexy, freewheeling Body and Soul with a heart-riving version of Strange Fruit in which her voice cracks on the final note. By 1957, when she appears at the Newport Jazz Festival, her voice is slurred, and she has problems not only keeping...

Author: /time Magazine | Title: Torn From Body and Soul | 12/21/1992 | See Source »

...list of who got there early is impressive. For her, there were no years on the slow track, working in small European houses. Instead she was launched by TV, on a show called Fantastico. Managers began calling, and she made her operatic debut in The Barber of Seville in Rome. It was an unusual instance where the singer was the same age as the insouciant heroine. "When I sang Rosina at 20," she says, "I knew I felt like Rosina." In 1987 she appeared on French TV in a tribute to Maria Callas, reeling off the finale of La Cenerentola...

Author: /time Magazine | Title: Opera's Roman Candle Newcomer | 12/14/1992 | See Source »

What comes next for this young virtuoso? The opera schedule is daunting: The Barber in Houston next spring, her American debut; Don Giovanni in a heavyweight Salzburg production conducted by Barenboim in 1994; the Met's Cosi fan tutte the following season. Bartoli is happily caught up in her repertory, but her fans, as well as many opera managers, already ache to see her expand it. Why not the big-money operas -- Verdi and, above all, Carmen...

Author: /time Magazine | Title: Opera's Roman Candle Newcomer | 12/14/1992 | See Source »

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