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Seurat went about his mission with a thoroughness that Louvre Curator Germain Bazin compares only to Leonardo da Vinci's own scientific preparations. To ready his first painted manifesto, La Grande Jatte, Seurat went daily for six months to the island to sketch and make quick color studies, worked for months in his studio making life studies of the 40 figures he intended to place in his finished canvas. Only after two arduous years did Seurat, then 26, finish the work-thousands of minute dots of paint, some three layers in depth, on a canvas measuring nearly...
...Warning. Snorted Rio's respected Correio da Manhã: "The title of President Kubitschek should be changed to Pharaoh of Brasilia." Cried onetime Finance Minister Eugenio Gudin: "A crime! Those factors of production wasted on the dream of a new capital will be missed...
...lost its silly head completely but managed to keep its heart in the right place and a tickly hand on the viewer's funnybone. As he dum-tada-ta-ed the habanera from Carmen ("Greasy cup and dirty plate, I'll wash you up immaculate, da ta") in a café kitchen, Dishwasher Bert Lahr learned, that he had won an Irish Sweepstakes fortune. At last, he and his wife (Margaret Hamilton) could realize a great dream, "the one thing we both want most-a divorce." Instead, though, Lothario Lahr settled for a whirl at the posh Murmuring...
...Soprano Renata Tebaldi, was canceled fortnight ago when her mother had a severe heart attack. At week's end Diva Tebaldi, agreeing to appear despite her desperate anxiety to remain at her mother's bedside, was again due to take the stage (in a matinee Aïda). She never got near the Met. Mrs. Teobaldo Tebaldi died that morning. The singer, beside herself with grief, was put under heavy sedation. The only child of long-estranged Italian parents, Spinster Tebaldi, 35, recently described her attachment to Giuseppina Tebaldi, 68, her constant companion, cook, dressing-room maid...
...207A), the Violin Concerto in E Major and the Brandenburg Concerto No. 6. The Brandenburg was the most unorthodox. In keeping with Bach's principle that any number can play, Richter had the work performed by only eight players-two violas, a cello, two violas da gamba, two string basses and a harpsichord. It emerged as a chamber work with crystal transparency, uncovering contrapuntal voices heard as they were seldom heard before...