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Strolling over the Louvre's polished parquet floors, Bazin likes to philosophize on two great portraits. Titian's Francis I (who seems to be examining the jewel of his collection, Leonardo da Vinci's Mona Lisa) and Hyacinthe Rigaud's Louis XIV (loftily surveying the great expanse of the 300-yard-long Grande Galerie). Both have a right to their proprietary air. Bazin feels, since, along with Napoleon, they are among the Louvre's greatest benefactors...
...always been looked down upon as a poor cousin by such sophisticated citadels as Venice and Florence. Even today most tourists take a look at the towered Duomo (second largest cathedral in Italy), seek out the faded mural remains of The Last Supper (painted by an imported Florentine, Leonardo da Vinci) at Santa Maria delle Grazie, and hurry on to Siena, Bologna or Rome...
...nothing to eat but cactus, and after five days my mother said she could not go on," recalled Ernesto da Silva, 17, sitting in a rocky field in the drought-burned eastern state of Pernambuco. "She was a widow but not old. She lay down by the road and told me to go. A man gave me 40? for a day's work. I bought food and hurried back to my mother, but when I got there she was dead...
Through rolling backlands in the five states that form Brazil's eastern bulge, crops of beans, corn and sugar cane were dead; 2,000,000 people gnawed cactus, dug holes in dry river beds for water or joined a dogged, starving march to the sea. The flagelo da seca, the dry whip that lashes the bulge country on the average of once a decade, was in its third month of fury. Some 370,000 flagelados (whipped ones) supported themselves and their families on relief wages of 30? a day -half the food allowance of a Brazilian army horse...
...conventions of the genre are utilized with unabashed audacity. The recitative and aria da capo turn up all over the place with genuinely satiric twists, as well as cadences which would have sent Rossini right out of the auditorium. The proceedings were further disrupted by the intrusion of a full-fledged jazz number. Mr. Perkins has an especially disarming command of dissonance, which he uses tastefully and moderately to underline the humorous aspects of the music...