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AGASSIZ THEATER. Baroque chamber music for violin, viola da gamba, and harpsichord. Music of Bach, Buxtehude, Rameau, and Byrd. Tickets: $2.50 (Benefit for Radcliffe Day-care Centers...
ELIOT HOUSE LIBRARY. Chamber music played by Kathryn Patrikis, harpsichord; and Ruth Rubinow, viola da gamba. April...
...Kodak Executive Anthony da Cruz drove down the highway on the way to his plant near Buenos Aires, a green Ford truck suddenly swerved in front of him near a point where four workers were installing a traffic sign. Da Cruz slammed on the brakes and was rammed from behind by a Fiat pickup. The four "workmen" and four men in the Fiat all rushed forward and hustled Da Cruz away. Five days later, just before releasing the 38-year-old Portuguese American near the spot where they had seized him, the kidnapers gave local newspapers a photograph that showed...
...alas, in the impacted duckspeak of art magazines (sample: "There is a singular combining of the purely somatic and the archly conceptualized and verbal in his aesthetic cognitions"). Nauman's intellect and methods are favorably compared with those of Vladimir Nabokov, Jasper Johns and Ludwig Wittgenstein. Even Leonardo da Vinci is hauled in to serve as an artistic ancestor. The aim of this coercive litany is to persuade doubters that Nauman is a home-grown successor to Marcel Duchamp, whose every pun and jeu d'esprit, no matter how limp, must be given the solemn study once reserved...
Overtures. Francis I had reason to be infatuated with Italy. He had conquered some of it in 1515, when he was only 21; and the first Italian artist to come under his barely fledged wing was Leonardo da Vinci, who went to France and died in the royal chateau at Amboise in 1519. But when the King turned to the remodeling of Fontainebleau, his chances of getting another such hero of the High Renaissance were gone. Raphael was dead. Michelangelo rebuffed Francis' overtures. That left younger men, notably Rosso, who had been cut adrift by the sack of Rome...