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...certainly does. His most recent release, Music for the Maases, contains much of his groundbreaking work from the past several years, including releases under the pseudonyms Orinoko and Kinetic A.T.O.M. Also included is the track that sparked his latest rise to global prominence, a groove-laden remix of Azzido Da Bass's "Doom's Night." Flight delays threatened to wreak havoc with the German producer-DJ's recent tour stop in Boston, but we caught up with him after an in-store set at Sound Factory in Allston...

Author: By Thomas J. Clarke, CONTRIBUTING WRITER | Title: Maas Media: Madonna's New Remixer | 12/8/2000 | See Source »

...afraid that too many people think of Timo Maas just as the guy who remixed Azzido Da Bass' "Doom's Night...

Author: By Thomas J. Clarke, CONTRIBUTING WRITER | Title: Maas Media: Madonna's New Remixer | 12/8/2000 | See Source »

...this fall to their tripping-over-each-other titles. In one corner, The Making of Kind of Blue: Miles Davis and His Masterpiece by Eric Nisenson (St. Martin's Press; 236 pages; $22.95); across the ring, Kind of Blue: The Making of the Miles Davis Masterpiece by Ashley Kahn (Da Capo; 223 pages...

Author: /time Magazine | Title: Books: Pale Shades of Blue | 12/4/2000 | See Source »

...thin line, and Robert Smigel, the disheveled reigning king of TV comedy writers, knows both sides of it. As a writer on Saturday Night Live from 1985 to 1993, Smigel, 40, created groundbreaking sketch comedy, including Da Super Fans and the legendary Trekkies sketch in which an agitated William Shatner finally tells a convention of Star Trek fans to "Get a life." He was also the head writer during the schizophrenic first year of Late Night with Conan O'Brien and the infamously abbreviated run of The Dana Carvey Show, which debuted with a sketch of the President breast-feeding...

Author: /time Magazine | Title: To Poop On! | 12/4/2000 | See Source »

...perhaps the greatest indicator of Maas' success was the absence of a riotous response to "Dooms Night," the Azzido Da Bass track whose ubiquitous remix catapulted Maas to the forefront of the international scene. The crowd certainly ate it up, roaring with anticipation as the familiar shuffling beat filtered from the speakers, but not so much that anyone could call Maas a one-remix wonder. If anything, they much preferred lesser-known but equally well-crafted Maas tracks, occasionally jumping up and down with the reckless abandon of seventh-graders at a school dance. That's not to say that...

Author: By Tom Clarke, CONTRIBUTING WRITER | Title: CRITICAL MAAS | 12/1/2000 | See Source »

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