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...Metropolitan) the Philadelphia Grand Opera Company opened its season with a sold-out house and a smart list of boxholders which included names like Curtis, Biddle, Lorimer and Pianist Josef Hofmann. Aïda was the first opera with Italian Tenor Aroldo Lindi, Soprano Anne Roselle, Contralto Cyrena Van Gordon, Conductor Emil Mlynarski. Le Jongleur de Notre Dame followed last week with Mary Garden again casting her curious spell as the pale, questioning little juggler, Baritone Chief Caupolican (a South American Indian) as the kindly, understanding monk, able Eugene Goossens conducting. Both performances were consistently excellent. Minor parts were capably...

Author: /time Magazine | Title: Music: Up Go Curtains | 11/3/1930 | See Source »

...Symphony under Frederick Stock. Soloists include Sophie Braslau, Richard Crooks, Richard Bonelli, Edith Mason, Lawrence Tibbett, Efrem Zimbalist, Josef Hofmann. Evanston, III., May 27-June 1, 21st annual Chicago North Shore Festival. Orchestral favorites, a few novelties, the Bach B minor Mass comprise the programs, interpreted by artists including Cyrena van Gordon, Efrem Zimbalist. Josef Hofmann, Edith Mason, Alice Mock. Other May festivals are at Emporia, Kan., Bangor, Me., Springfield and Lynn, Mass., Keene, N. H., Newark, N. J. June opens the summer opera season at St. Louis-light opera favorites such as The Chocolate Soldier, The Bohemian Girl...

Author: /time Magazine | Title: Music: Spring & Summer | 4/29/1929 | See Source »

...Cyrena van Gordon, noted American contralto of the Chicago Civic Opera Company who sang a leading part in Wagner's "Lohengrin", said this in her suite in the Hotel Ritz Carlton yesterday afternoon. Miss van Gordon pointed out that after all, an artist was a human being. She was especially prejudiced against men who carp at traces of individuality in the work of operatic artists...

Author: NO WRITER ATTRIBUTED | Title: Cyrena van Gordon Claims Verdict of Newspaper Critics Means Nothing to Artists--Scores Companionate Marriage | 2/3/1928 | See Source »

...came the opening night to see Aïda. If Samuel Insull, sitting beside Her Majesty in the first box, had been a man of many words, he might have told her of the rising fame of Chicago opera, of such artists as Edith Mason, Mary Garden, Rosa Raisa, Cyrena Van Gordon, Charles Marshall, Tito Schipa. It is true that Chicago has no Rosa Ponselle, no Maria Jeritza, no Gigli, no Martinelli, and that it dispensed with the high-priced Amelita Galli-Curci; but often the Chicago operas more than equal the Metropolitan in vitality and freshness. Mr. Insull, being...

Author: /time Magazine | Title: Music: Tsar | 11/29/1926 | See Source »

...Chicago Civic Opera Company competently negotiated the first week of its repertoire. Aida was the first to be taken out of storage, dusted and dressed in all its Egyptian splendor to do credit to the opening night. Claudia Muzio was the Ethiopian slave girl, Cyrena Van Gordon Pharoah's daughter and Arnoldo Lindi the suave-throated warrior loved by them both. Jewels of the Madonna came next with Rosa Raisa, as the Neapolitan slut, lavishing sumptuous tones on tunes as tawdry as the stage jewels that tempted her. Came Boheme with Edith Mason and then-Resurrection with Mary Garden...

Author: /time Magazine | Title: Music: In Chicago | 11/22/1926 | See Source »

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