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...Curwood asked the candidates about issues such as climate change, renewable energy goals for businesses, and the candidates’ environmental records and past positions...

Author: By Katherine M. Gray, CRIMSON STAFF WRITER | Title: Candidates Weigh Environment Issues | 7/14/2006 | See Source »

Stephen T. Curwood ’69—host of NPR’s “Living on Earth”—moderated the forum, which was sponsored by the Sierra Club, Massachusetts League of Environmental Voters, the Environmental League of Massachusetts, and the Appalachian Mountain Club...

Author: By Katherine M. Gray, CRIMSON STAFF WRITER | Title: Candidates Weigh Environment Issues | 7/14/2006 | See Source »

...trust into the underlying science have clearly been reversed. It was the Americans who had reservations on the scientific basis of global warming when the rest of the world had reached a consensus on its causes and consequences, but now the Europeans accused America of "voodoo" science, as Steve Curwood put it on National Public Radio's Living on Earth. A significant number of studies cast doubt onto the effectiveness of forests in absorbing carbon, and Jeffrey Jenkins, a highly respected researcher sponsored by the British Government, even proposed a theory showing the opposite effect: planting trees in northern latitudes...

Author: By The CRIMSON Staff, | Title: U.S. Fails Test at The Hague | 12/5/2000 | See Source »

...outline could as well describe a nature documentary or even a children's picture -- anyway, something bland, earnest or otherwise simpleminded. This is not to imply that The Bear, which is an adaptation by French filmmakers of a 1916 novel by the American outdoorsman James Oliver Curwood, lacks educational value. Or that children will not be charmed by the misadventures of its bouncy, cuddly hero. But the highest pleasures of this wondrous movie lie not in its apparently artless narrative but in the artful ways it transcends...

Author: /time Magazine | Title: Cinema: Call of The Wilderness | 10/30/1989 | See Source »

This is not to detract, however, from the power of Curwood's later performance. His blood-curdling reliving of the murder of his mother--given in Dos Passos-like blank verse--was delivered with such intense personal involvement that the description of the knifing itself was almost orgasmic...

Author: By Thomas C. Horne, | Title: Slow Dance on the Killing Ground | 11/22/1965 | See Source »

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