Word: cubism
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...preliminary drawings of the blue-period masterpiece, La Vie (1903) and a transitional sequence of studies for the infamous Les Demoiselles d'Avignon (1906-7). The exhibition's strongest points are the works between around 1905 and 1920, especially the brush drawings that illustrate the emergence of cubism in the fall...
...says. She decided to seek out in Munich a famous avant-garde teacher named Hans Hofmann-the same artist who, a year later, would emigrate to America and play a formative role in the ideas and practice of abstract expressionism. It was Hofmann who made her look at cubism, "the key to my stability ... Positive and negative. A block of space for light. A block of space for shadow. Light and shade are in the universe, but the cube transcends and translates nature into a structure." On seeing her first cubist Picassos, Nevelson recalls, "I understood it at once...
Critic Roger Shattuck suggests that while Cubism and Futurism affirmed aspects of the modern world, Dada was founded on doubt. The Dadaists sought to return to a tabula rasa: to clear the slate and begin again, Hausmann felt that it was necessary "to see things as they are." Dadaists searched for authenticity amid the seemingly irrational and arbitrary forces that shape human history...
...goods storekeeper from Nyack, N.Y. Paris formed his work and gave him the confidence to deal with his specifically American motifs. By no stretch of the imagination could Hopper be called an avant-gardist. Not a canvas in the Whitney's show suggests the influence of cubism, let alone abstract art, although one might be able to detect some remote Fauve echo-perhaps through Albert Marquet, whose work he saw in Paris-in Hopper's fondness for relieving a low-toned background with a sudden distant poke of primary color: a coat, a flag or the red side...
...astonishing thing about Russian art of this period is its sustained inventiveness. Artists who based their work on the available prewar styles of avant-garde art - mainly Fauvism, cubism and futurism -were able to digest and develop them with tremendous speed and urgency, leaping beyond their prototypes like pole vaulters. To see this at work, one need only look at the development of Vladimir Tallin's sculpture after his first contact with Picasso's tin cubist Guitar, 1912, in Paris, or at the conviction with which Kasimir Malevich moved from cubism to a purely abstract painting...