Word: creation
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Dates: during 1960-1969
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...find new ways to carry God back into the everyday life of society and to make him, in the prevailing cliche of the day, "relevant." This is not primarily a theological movement. Still, important new trends in theology suggest that God may best be met in the co-creation of a more humane society or, internally, in the deepest structures of our own psyches (see box, page 42). As so often in the history of faith, this new effort to build a new ministry is a reaction against past failures...
...public personality that is built on this sense of style is Coward's one great creation, looming behind all his smaller ones and investing them with special effervescence. This is what John Osborne meant when he said that Coward "is his own invention and contribution to this century." This is what makes it idle to scan the man or his works for the "real" Noel Coward. The mask of supreme entertainer has become the man. With Coward's 70th birthday, the legend is sealed. As Carlyle said of the universe, we had best accept it-as gratefully...
...illustrations in Alan Moorehead's book. Depicted as a drab civilian among the scarlet naval persons present, the ship's naturalist, Charles Darwin, also clutches a Bible. The Beagle's Bibles contained an annotation dictated by the Anglican Archbishop Ussher, firmly stating that the Creation began promptly at 9 a.m., Oct. 23, 4004 B.C. After a five-year voyage, Darwin would show that the bishop could have been wrong by God alone knew how many million years. The Beagle (242 tons) would sink the Ark (of unknown displacement), and Darwin would write a new Book o[ Genesis...
...finished hat could be removed without tearing. He was so taken with the beauty of the original that he decided merely to rearrange the parts. "The figure emerged spontaneously," he says, and it reminded him of Renaissance portraits of Italian patricians. In his antic fashion, Steinberg named his creation Il Duca di Mantova, after the playboy nobleman in Rigoletto. Bernard Pfriem, a New York painter who had worked with hat blocks before, did not change the basic form of the block either. "It was a human image, after all. My idea was to retain the identity but to metamorphose...
...Present at the Creation, Acheson...