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Dissonant Morass. Not everybody liked it-and with reason. As one expects of Cranko, the ballet had dramatic cohesiveness. Settings, cleverly suggestive of Goya, managed to be both beautiful and forbidding at the same time. In Marcia Haydée (Carmen), Richard Cragun (the Toreador) and Egon Madsen (Don José), Cranko could field a trio whose ability to project feeling into narrative ballet can hardly be matched. What went wrong was the music. Scorning Bizet, Cranko got German Composer Wolfgang Fortner to produce a dreadful, cacophonous "Bizet collage" incapable of sustaining any nuance of emotion. Worse, the score picked...

Author: /time Magazine | Title: Dance: Goyas and Dolls | 5/10/1971 | See Source »

...Eugene Onegin, all richly staged and costumed and all choreographed by Cranko. He handles large groups of dancers with remarkable dramatic effect. But the Stuttgart Ballet has been devastating audiences all across the U.S. mainly because of the dancing of two new stars, Marcia Haydée and Richard Cragun...

Author: /time Magazine | Title: Ballet: Two for the Season | 11/7/1969 | See Source »

Strong and effortless, Cragun tactfully puts a matinee idol's figure at the service of his roles, making Romeo, Petruchio and even Onegin believable and remarkably affecting. The marvel, though, is Marcia Haydée. Experts correctly point out that she is not a great dancer technically. Most would turn puce at the thought of mentioning her in the same breath with Margot Fonteyn. But few dancers within memory have projected the rangi of whims and wishes or invoked the delicate interplay of emotions that flow from the least gesture of Haydée's body, the slightest...

Author: /time Magazine | Title: Ballet: Two for the Season | 11/7/1969 | See Source »

...volcano, Haydee is to the dance what Maria Callas has been to opera. She is an artist incapable of a dull or empty gesture, able to communicate a state of mind through an impressive range of movement or even by standing still. Her frequent partner is California-born Richard Cragun, 24, a bravura but seemingly effortless soloist who within a very few years may be the world's finest male dancer...

Author: /time Magazine | Title: Ballet: Gazelleschaft | 6/20/1969 | See Source »

...College: "The hunting rifle and shotgun hanging on the wall in my room, the skis in the corner, the camera in my desk drawer and a canoe are all byproducts of TIME sales." When summer vacation at the University of Minnesota began last year, says our subscription agent Merrill Cragun, "I bought a convertible and took my first jaunt to the East Coast as a result of selling TIME." TIME commissions plus scholarships helped Bernard Tonchin work his way through Sir George Williams College in Montreal. And now he says, "TIME commissions are helping put me through dental school...

Author: /time Magazine | Title: A Letter From The Publisher, Dec. 14, 1953 | 12/14/1953 | See Source »

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