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Word: cowboying (lookup in dictionary) (lookup stats)
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...Douglas, a new hand on the Triangle spread, is plumb dumfounded. "Wah," he gasps, "it hain't har'ly deesint." A little later he says to his pard he says, "Did yew heah whut thet maan said? INSAHD the haouse!" As they ride out to the ranch. Cowboy Douglas keeps shaking his head, he's that amazed. As soon as they get there, he wants to know, "Whin we gonna see it?" "After lunch," growls Jay C. Flippen, the foreman. After lunch, Douglas busts right out, "Kin we see it naow?" "Yup," says the foreman...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 4, 1955 | 4/4/1955 | See Source »

...Stop chiefly chronicles a raw, rambunctious young cowboy's courtship-which is virtually a kidnaping-of a soiled young Kansas City nightclub singer. Very slowly the clodhopper (Albert Salmi) discovers that an ounce of tenderness is worth a pound of bluster, while the audience simultaneously discovers that it is the bluster of a sexual tenderfoot. And the girl discovers that, though courted as though she were a punching bag, she is for once being thought of as though she were a lady...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Mar. 14, 1955 | 3/14/1955 | See Source »

...more offhand and slightly more underhand amour of the proprietress and the bus driver (Elaine Stritch and Patrick McVey), records the spoutings, slitherings and slumbers of a drunken professor (Anthony Ross). There is also the wide-eyed high-school girl who finds the professor wonderful, there is an unrambunctious cowboy with a guitar, and there is a local sheriff who perhaps stands for law and order in the world as well as on Main Street. In a beautifully paced and harmonized production, every part is well played, and Kim Stanley plays the nightclub singer superbly...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Mar. 14, 1955 | 3/14/1955 | See Source »

...years. Vast desert countryside, in CinemaScope, presents an appropriately morbid and untrammeled background for Black Rock, which contains the usual lawless gang and hapless sheriff. Conspicuously absent, however, is the stereotyped melodrama which might have brought Bad Day at Black Rock down to the level of typical cowboy films...

Author: By Ralph A. Austen, | Title: Bad Day at Black Rock | 3/14/1955 | See Source »

...tunes failed to hold complete attention only during those infrequent instances when they slowed in pace. "We Know What's Good for Women" provided both fun and novelty, as did "I Turned My Lover's Picture to the Wall," a catchy spoof of cowboy songs...

Author: By Cliff F. Thompson, | Title: Snake Oil | 3/12/1955 | See Source »

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