Word: coutard
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Dates: during 1965-1965
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...have failed to mention two of the film's outstanding accomplishments: the luminous, plastic photography of Raoul Coutard. Godard's cameraman on his ten films, beginning with Breathless (1961); and the score, which owes its beauty to Beethoven's string quarters and its effectiveness to Godard's superb timing. I've also omitted the film's verbalism. Signs and the printed word play a key part in most Godard films, from the Bogart poster of Breathless to the flashing neon lights of Alphaville, and they crop up again and again in The Married Woman. But why they are used...