Word: countesses
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Dates: during 1970-1979
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...particularly renowned for their well-connected staffers' ability to sniff out what they delicately call "aristocratic sales of necessity" (translation: the duke needs cash). Even the sophisticated rich often have unexpected treasures on their premises. Before sitting down to lunch at their country estate with the Earl and Countess of Verulam, Christie's Oriental ceramics director, Sir John Figgess, asked his host "if there was a cloakroom [bathroom] handy." There were two cloakrooms, allowed Verulam: "You take this one and I'll take that one." In the John that Sir John took, he found a mid-14th...
...grim story has been told before, but never with such sweep and grieving comprehension. Part of the reason is new information, part is the skill and lineage of the author. Thomas Pakenham's mother, the Countess of Longford, is the biographer of Victoria and Wellington. His sister is Antonia Fraser, biographer of Cromwell, Mary Queen of Scots and Charles II. Pakenham was able to prowl the great houses of Britain in search of long-lost letters, papers and diaries, took time to learn Dutch and Afrikaans, and early in his eight years of research recorded the memories...
...buoyant. The spectacle of servants outwitting their masters, so inflammatory in Mozart's day, was given charm and point by Baritone Walter Berry, as a rather phlegmatic Figaro, and Soprano Lucia Popp, as his pert fiancee. Baritone Hans Helm and especially Soprano Gundula Janowitz, as the count and countess, played along with aristocratic good grace...
BORN. To Lord Snowdon, 49, English photographer whose 19-year marriage to Princess Margaret ended in divorce in May 1978, and the Countess of Snowdon, 37, the former Lucy Lindsay-Hogg: a daughter, her first child and his third...
GRACE SHOHET portrays the play's most interesting and controversial character, the lesbian Countess Geschwitz, who sacrifices everything for Lulu. Wedekind created the only fully rounded human portrait in the role of Countees Geschwitz, and Shohet infuses it with pathos. Her despairing speech in the last act strikes one of the few sincere notes in an otherwise emotionally detached production...