Word: could
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Dates: during 2000-2000
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...Sullivan" debut, British TV was showing a slapdash documentary of the Beatles on that landmark February 1964 visit. The instant documentary was shot by Albert and David Maysles (later to find fame with their Rolling Stones/Altamont documentary "Gimme Shelter." Lester saw it and instantly grasped its significance. If he could capture that crackling energy in a fictionalized form the film would have its heart. He elected for the vérité of black and white to reinforce the notion of reality...
...taxi around for a bit, as if the plane needs more exercise. The depressed pilot says that Logan only has six gates for shuttles and that they are all occupied. A shuttle ahead of us waits for a gate as well. Risking a brouhaha, the pilot says that it could be another 15 to 30 minutes. The plane harmoniously sighs in unison and many break out cell phones to report the status of their misery to loved ones back home. We sit around until...
...doesn't quite appeal to some beholders. Student Jeff Barret believes that the piece is "in keeping with the overall brutalist, industrial theme" of the UMass campus. "Looking at 'Steelworker,' I see something chrome, hard, cold. He doesn't look happy," comments Barret. "This whole place is brutalist. It could use a little levity," he adds...
...student community, however, does not seem as receptive to the project's aims. Dean Hatzis, a junior at UMass, looks toward the soccer field where "Huru" towers and says, "I hadn't really noticed it until you pointed it out. I think it's really ugly-at least they could paint it or something." Other passersby share these sentiments and express their puzzlement. "I don't know what it's a symbol of. It's all right looking. I haven't really noticed anything else," comments student Roberto Landivar. Christine Aller, a passing art major, comments that "Huru...
...absence of a riotous response to "Dooms Night," the Azzido Da Bass track whose ubiquitous remix catapulted Maas to the forefront of the international scene. The crowd certainly ate it up, roaring with anticipation as the familiar shuffling beat filtered from the speakers, but not so much that anyone could call Maas a one-remix wonder. If anything, they much preferred lesser-known but equally well-crafted Maas tracks, occasionally jumping up and down with the reckless abandon of seventh-graders at a school dance. That's not to say that Maas avoided well-known tracks-another crowd favorite...