Word: cosi
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Dates: during 1985-1985
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Indeed they do. Whether she sports Despina's serving-girl mufti in Mozart's Cosi fan tutte, is decked out in the rococo raiment of Sophie in Strauss's Der Rosenkavalier, or sweeps glamorously onto a concert stage dressed in one of her custom-made Rouben Ter-Arutunian gowns, it is impossible to imagine Battle's ever taking a letter or raising a ruler again. She is an ethereal Nannetta in Verdi's Falstaff, a sparkling Zerbinetta in Strauss's Ariadne auf Naxos and a beguiling Susanna in Mozart's The Marriage of Figaro, which she will sing...
...really hoping to Squeeze in an upbeat spiel about this once-proud pop group's resurrection. No such luck. COSI FAN TUTTI FRUTTI has but one inspired moment--its clever corruption of the Mozart opera title (Omigod, I mentioned real music). The rest is much sound'n fury, a thickly overlaid and confusing pastiche of synthetic pop gimmicks. What's more, there are no hooks...
Perhaps the flaws on Cosi Fan Tutti stem from the fact that Squeeze put the LP together in the studio before trying their stuff out live. If the songs on this record had begun as live riffs, spontaneous bits of popish nonsense in the best Squeeze tradition, they might have gone somewhere. Rather, the Fab-Four-that-almost-was (they're actually five now) worked very hard on pulling off a masterpiece in the sterile confines of an airless studio. The result doesn't snap, it rarely crackles, and it never pops...