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...wasn't all intramural fun and games. The Film Department also organized public screenings of hard-core quasi-art. On one electrifying evening in 1972, critic Stuart Byron introduced Fred Halsted's dreamy, grainy, gay-sex LA Plays Itself, about which I rather coyly wrote, in Film Comment: "The cul-de-sac of narrative porn may well be the sadomasochistic fist-in-the-socket scene ... which one critic described as the most spectacular sequence since De Mille's parting of the Red Sea in The Ten Commandments." The crowd in the auditorium was respectful, if disconcerted (At the moment...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...major film festivals I took part in, Cannes and New York. In Cannes' unofficial sidebar, known as the Market, Mary and I saw Behind the Green Door, Lasse Braun's Sensations, Max Pecas' Dictionary of Sex and Metzger's Score, where, after a screening of the film's soft-core version, we were invited to stay for an alternate final reel featuring hard-core sex. (Metzger went on to direct one more arty hard-core, the excellent Paris-shot SM drama The Image, before turning to light-hearted New York porn under the pseudonym Henry Paris.) The Market was just...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...York Film Festival, films with intense sexual elements were occasionally part of the 20-some features in the official program. In 1971, the year I joined the festival's selection committee, we showed Dusan Makaveyev's WR: Mysteries of the Organism, which had a hint of hard-core. The following year, the Festival had Bernardo Bertolucci's Last Tango in Paris (Brando, butter), As we discoed fearlessly through the 70s we brought in a porno documentary from France (Exhibition) and a Japanese drama (In the Realm of the Senses) that had hard-core sex and a pretty explicit castration...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...many blue movies as I can find time for, and it amounts to a blessing that two of the most important theatres housing hard-core porn in New York City -the Hudson/Avon for heterosexual blue movies, and the Park/Miller for homosexual ones -are within a couple of hundred yards of my office. At the moment of writing, another fifteen or twenty porn houses are but five minutes away. How lucky I am that this unexpected period of permissiveness should have coincided with my life, and how unready I am to have the period brought to a close by some...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...Other hard-core workers interviewed in The Other Hollywood dispute some of the Lovelace charges, including that she showed any reluctance to make the girl-meets-dog film. But there's no doubt Linda's life was mostly rough. She had scars on her body from car crashes, of which she endured at least three, including the one that killed her in 2002, when she was 53. An unhappy, possibly abused child, she left home early and had the ill luck to meet Traynor, about whom no one speaks with much affection. He sounds like an expert exploiter. She wrote...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

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