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...hear you: this isn't porno chic, it's porno shtick. But it was fun and funny in a slummy way. That helped make Deep Throat the American public's ideal induction ceremony into hard-core. Sex-film history was repeating itself. The break-out soft-core film, Teas,, had been a comedy with a gimmick (a man is able to see women naked); Throat had a more ingenious twist, was a cleverer film and a genial buoyancy. And where else were audiences going to see a woman with such control over her gag reflex? Granted, when they...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...Before Deep Throat, the mood in a sex-movie theater was solitary, drastically monastic, with patrons seated as far away from one another as possible. The Damiano film turned porn-going into a communal experience. If you were going to see a hard-core movie, this was the one. You could slake your curiosity and amass opinions that would sustain hours of cocktail-party chatter. Celebrities stood in line. Comedians worked the fellatio film into their monologues. Johnny Carson: "This is kinda strange country, isn't it? Judges can see Deep Throat but they can't listen to those [Nixon...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...Sensations, 1975: Trying to be a hard-core Emmanuelle, this bit of Euro-decadence by Alberto Ferro (aka Lasse Braun) featured Penthouse Pet Brigitte Maier. She's quite a pretty lass, but doesn't get to do much more than watch until the end, when she accedes to the climactic orgy scene. Seven acolytes of various genders crowd around her, matching their protuberances to her orifices, until she is nearly smothered in closeup. Cut to the seven slowly withdrawing from their feast, and, presto, Maier has disappeared. That's the end -except for the closing credits, where we find that...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...written for the TV show Julia) and orchestrations by Peter Matz, who was Barbra Streisand's music man in her first bloom. Playmate Kristine DeBell, a most engaging cutie, manages the wide-eyed wistfulness as deftly as she executes the phallus-in-wonderland scenes. (Other performers do the hard-core stuff.) The film is spiffy and frolicsome, with a distinct vaudeville tone. Toward the end, during some vigorous sexercise, one of the characters remarks, "After a while they all look the same, don't they?" They do. But Alice is one hard-core comedy that is at least as appealing...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...porno chic died long before that. If Throat in 1972 stoked the hope that hard-core might fruitfully intersect with mainstream, Jaws in 1975 ended that dream, and a few others. The Spielberg film's success, and that of Star Wars two years later, proved that the big-bucks audience comprised kids and teens, not adults, and it was the young who had to be pandered to. Adult films were largely marginalized, the hard-core back to the old grind houses (and later to video), the Hollywood ones to art houses and Oscar season. It's been that...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

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