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CRIME STORY (NBC). The two-hour premiere episode was a fierce and stylish update of The Untouchables. Succeeding shows have lost some originality and flair, but this latest series by Producer Michael Mann (Miami Vice) still makes most other cop shows look like wimps...

Author: /time Magazine | Title: Video: Best of '86: Video | 1/5/1987 | See Source »

...BASH (ABC). Producer Danny Arnold (Barney Miller) may have set out to make a sitcom. But what he came up with was a moody tragicomedy on loneliness. Peter Boyle was outstanding as a grumpy cop in this undeservedly short-lived series...

Author: /time Magazine | Title: Video: Best of '86: Video | 1/5/1987 | See Source »

...sure, awfully good as Alex Sternbergen, a near-miss movie star now trying to drink her leftover life away. She has the style of such women, a mixture of tough talk and flighty vulnerability, down pat. The stranger who tries to help her is an ex-cop with a blue-collar manner. Underneath, however, he glows with the middle-class spirit of the New Man: he is wise, patient, a good lover and a better cook. As played by Jeff Bridges, he is also a total bore...

Author: /time Magazine | Title: Cinema: Green and Red for Christmas | 12/29/1986 | See Source »

Critics call this an "O.C." movie; every plot twist is so easy to spot that the only response is "of course." The star (Richard Gere) is a Chicago cop with a dependable partner played by a disposable actor. O.C., the partner gets killed by a visiting New Orleans gangster (Jeroen Krabbe) while keeping tabs on the gangster's moll (Kim Basinger). O.C., the star goes to New Orleans to hunt down the bad guy, gets hassled by the local police and, O.C., falls in love with the moll while they dodge crackers and crocodiles in bayou country. Bullets perforate every...

Author: /time Magazine | Title: Cinema: Green and Red for Christmas | 12/29/1986 | See Source »

...with such hits as Flashdance, An Officer and a Gentleman and Raiders of the Lost Ark. In Diller's final year, Paramount's profits hit what was then an all-time peak of $109 million on revenues of $986.6 million. The duo left behind one monster hit, Beverly Hills Cop, which subsequently brought in $235 million. But the Paramount stable also included such nags as King David ($5.1 million) and Explorers ($9.9 million). Paramount's market share, which had climbed as high as 19.1% in 1984, plummeted to 10% during Mancuso's first year as chairman. In one week last...

Author: /time Magazine | Title: Frank Mancuso: Hollywood's Top Gun | 12/29/1986 | See Source »

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